库普兰标题钢琴音乐刍议
发布时间：2018-07-25 08:19
【摘要】： 提及18世纪前半叶的钢琴音乐,人们往往更多的关注于德国的巴赫与亨德尔,意大利的斯卡拉蒂,而对法国的弗朗索瓦·库普兰的重视及研究程度远远不及前几位作曲家。与巴赫对巴洛克音乐时代的总结与里程碑意义相比,弗朗索瓦·库普兰的两百多首古钢琴曲则是洛可可音乐的精华。 研究库普兰的古钢琴曲,可以让我们对从巴洛克时期到古典主义时期之间的钢琴音乐风格的演变有更好的理解和把握,同时,他在古钢琴曲中所表现的内容以及他表现内容所运用的形式,不仅为古典时期(海顿、莫扎特、贝多芬时期)开拓了道路,也对后来的门德尔松、德彪西、拉威尔等许多音乐大师产生了深远的影响。 本文试图从当时的社会风尚、历史传承来挖掘库普兰钢琴音乐风格的形成,并且分析其钢琴音乐风格的特征,从其四卷古钢琴曲谱以及CD资料着手,对标题、题材、装饰音等进行探析,力图从多角度把握库普兰的钢琴音乐风格,从而指导我们对其钢琴作品的演奏,并且揭示出其古钢琴作品音乐风格对后世作曲家所具有的启示性意义。 全文分三个大部分: 第一部分:伟大的库普兰。介绍弗朗索瓦·库普兰的生平及其创作的时代背景。 第二部分:库普兰与他的标题音乐。从他的标题钢琴音乐分类、作品的特征、以及与同时期其他作曲家的异同分析他的独特风格。 第三部分:库普兰标题音乐对钢琴音乐发展产生的影响。通过对标题音乐的发展过程以及他的标题音乐风格对以后各个时期作品的影响,充分展现了库普兰的价值。
[Abstract]:When it comes to piano music in the first half of the 18th century, people tend to pay more attention to Bach and Handel in Germany and Scarlatti in Italy. Compared with Bach's summary and milestone of Baroque music era, more than two hundred ancient pianos by Francois Kupland are the essence of Rococo music. The study of Kupland's ancient piano music can give us a better understanding of the evolution of piano music style from the Baroque period to the classical period, and at the same time, The content he performed in the ancient piano and the form in which he performed it not only opened the way for the classical period (Haydn, Mozart, Beethoven), but also for the later Mendelssohn, Debussy. Many musicians, such as Ravel, had a profound influence. This paper attempts to excavate the formation of Kupland's piano music style from the social fashion and historical heritage of that time, and analyzes the characteristics of its piano music style, starting from its four volumes of ancient piano music and CD materials, the title, the subject matter, This paper tries to grasp Kupland's piano music style from many angles, so as to guide us to play his piano works, and to reveal the enlightening significance of his ancient piano works' musical style to the future composers. The paper is divided into three parts: the first part: the great Kupland. This paper introduces the life of Francois Coupland and the background of his creation. The second part: Kupland and his title music. His unique style is analyzed from the classification of his title piano music, the characteristics of his works, and his similarities and differences with other composers of the same period. The third part: the influence of Kupland title music on piano music development. Through the development of the title music and the influence of his title music style on the later works, it fully shows the value of Kupland.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1
本文编号：2143200
[Abstract]:When it comes to piano music in the first half of the 18th century, people tend to pay more attention to Bach and Handel in Germany and Scarlatti in Italy. Compared with Bach's summary and milestone of Baroque music era, more than two hundred ancient pianos by Francois Kupland are the essence of Rococo music. The study of Kupland's ancient piano music can give us a better understanding of the evolution of piano music style from the Baroque period to the classical period, and at the same time, The content he performed in the ancient piano and the form in which he performed it not only opened the way for the classical period (Haydn, Mozart, Beethoven), but also for the later Mendelssohn, Debussy. Many musicians, such as Ravel, had a profound influence. This paper attempts to excavate the formation of Kupland's piano music style from the social fashion and historical heritage of that time, and analyzes the characteristics of its piano music style, starting from its four volumes of ancient piano music and CD materials, the title, the subject matter, This paper tries to grasp Kupland's piano music style from many angles, so as to guide us to play his piano works, and to reveal the enlightening significance of his ancient piano works' musical style to the future composers. The paper is divided into three parts: the first part: the great Kupland. This paper introduces the life of Francois Coupland and the background of his creation. The second part: Kupland and his title music. His unique style is analyzed from the classification of his title piano music, the characteristics of his works, and his similarities and differences with other composers of the same period. The third part: the influence of Kupland title music on piano music development. Through the development of the title music and the influence of his title music style on the later works, it fully shows the value of Kupland.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1
【参考文献】
相关期刊论文 前3条
1 朱建;“法国古钢琴乐派中的登峰造极之作”──库普兰的四卷《古钢琴曲集》[J];钢琴艺术;2000年03期
2 王庆;走近库普兰[J];音乐爱好者;2000年03期
3 董蓉;巴洛克时期的装饰音现象(上)[J];乐府新声(沈阳音乐学院学报);2000年04期
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