扬琴与钢琴相关问题的比较研究

发布时间：2018-08-14 12:15

【摘要】： 本文通过对钢琴和扬琴的相关问题(这里指发音原理、基本音色及音色开发、余音处理)进行对比分析和研究,试图向读者清晰地梳理出钢琴和扬琴音响特征的形成要素、发展空间和声音的具体处理技术方面的理论头绪,进而论述扬琴艺术基于上述三方面理论基础上发展出来的新观点、新技术、新音响。在第一章节发音原理部分,着重描述和分析了钢琴与扬琴的形制结构对声音的触发、频率、音质、时间控制等方面的影响,通过对图片、前人有关理论梳理、演奏经验论述的比较,为下一章节“基本音色及音色开发”的论述做理论铺垫。第二章节“基本音色及音色开发”主要通过理论概述和列表的方式阐述了钢琴与扬琴的基本音响状态和经过艺术家拓展开发后的音响状态。此章节对钢琴和扬琴音色开发的现状进行了比较与分析,得出两种乐器“同”中有“异”的理论概括,指出:“同”在音乐想象力对于音色开发的指导,“异”在艺术思想对音色开发方向的不同影响。章节末段提出了一些关于新音色开发的理论设想与实现技术。第三章节“余音处理”分别罗列了钢琴与扬琴的踏板技术和余音的处理手段,其中深入地分析了扬琴踏板技术与音乐表达之间的关系,全面提出了扬琴踏板语言的具体应用细节。
[Abstract]:Based on the comparative analysis and research of piano and yangqin (the principle of pronunciation, the development of basic timbre and timbre, the processing of residual sound), this paper tries to clearly comb out the elements of the sound characteristics of piano and yangqin to the reader. Developing the theoretical thread of the concrete processing technology of space and sound, and then discussing the new viewpoint, new technology and new sound of the yangqin art based on the above three theories. In the first chapter of the principle of pronunciation, the paper mainly describes and analyzes the influence of piano and yangqin's structure on the trigger, frequency, sound quality, time control and so on. The comparison of the exposition of playing experience paves the way for the discussion of basic timbre and timbre development in the next chapter. The second chapter, "basic timbre and timbre development", mainly expounds the basic sound state of piano and yangqin and the sound state after the development of artist through the way of theoretical summary and list. This chapter compares and analyzes the current situation of the development of piano and yangqin timbre, and draws a conclusion that there are differences in the two musical instruments, and points out that "same" is the guidance of musical imagination for the development of timbre. The different influence of artistic thought on the direction of timbre development. At the end of the chapter, some theoretical ideas and implementation techniques about the development of new timbre are put forward. The third chapter "residual sound processing" lists the pedal technology of piano and yangqin respectively and the processing means of residual sound, in which the relationship between yangqin pedal technology and musical expression is deeply analyzed. The specific application details of yangqin pedal language are put forward.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

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