芦墟山歌研究

发布时间：2018-10-11 17:24

【摘要】：随着近些年来对吴地民歌研究的陆续展开,对于民歌的研究正在日益走向成熟,研究成果逐渐向纵深方面、向专门化方面发展。然而,尽管目前对于吴地民歌的研究取得了很多可喜的成果,但大都是一种宏观性的研究,是对吴地民歌发展、演变、保护和传承的整理。对芦墟山歌的研究主要体现在两个方面,一方面体现在艺术层面上,多集中于芦墟山歌的音乐特征、演唱形式、曲调风格等等,另一方面表现在民俗学方面,集中于对其生存现状、保护传承话题的讨论。对文本本体的研究,多集中于长篇叙事山歌《五姑娘》,以致于芦墟山歌其他的文本内容研究乏人问津。本文从宏观把握和微观研究相结合。宏观上,了解吴地民歌的研究现状,确定论文写作的重点和难点所在。微观上,结合吴歌发展的源流,具体到芦墟山歌的本体研究。对于文本的掌握是文学研究的基础,因此,文章的重点势必是对芦墟山歌本身的研究。通过对芦墟山歌的本体研究,特别是芦墟山歌的体制研究和意象选择两个方面,使人们更真切地了解当时民众的生存状况和社会心态,了解芦墟山歌在吴地民歌中特殊的地位,从山歌文本出发,体现出它的风格特点与民俗文化。正文具体安排为四章,分别为：第一章芦墟山歌的主要内容：从大量反映生活苦难的民歌中体现山歌的反压迫反封建意识,从女性大胆追求爱情自由中挖掘山歌的女性意识。第二章芦墟山歌的体制形式：从短山歌和长山歌两种不同的体裁样式进行举例说明,重点阐述了长篇叙事山歌的结构特点,包括以时间、空间作为脉络组织结构、以相同的句子作为组织结构以及以人物对话进行组织结构。第三章芦墟山歌的意象选择：列举了山歌中的“酒”意象、“绣”意象、“桑园”意象。第四章芦墟山歌的地域色彩：从民俗学角度分析了芦墟当地的生活礼俗、民间信仰以及语言特色。
[Abstract]:With the development of the research on folk songs in Wudi in recent years, the research on folk songs is becoming more and more mature, and the research results gradually develop to the depth and specialization. However, although many gratifying achievements have been made in the study of folk songs in Wu, most of them are macro studies, which are the arrangement of the development, evolution, protection and inheritance of folk songs in Wu. The research on Luxu folk songs is mainly reflected in two aspects: on the one hand, on the artistic level, it focuses on the musical characteristics, singing forms, tunes of Luxu folk songs, and on the other hand, on folklore. Focus on its survival status, protection of the topic of heritage discussion. The study of text Noumenon is mainly focused on the long narrative folk songs "five Girls", so that the study of other text contents of Luxu folk songs is neglected. This paper combines macro-grasp and micro-research. Macroscopically, understand the research status of Wudi folk songs and determine the key points and difficulties of the thesis writing. Micro-level, combined with the source of the development of Wu Song, specifically to the Noumenon study of Luxu folk songs. Mastering the text is the basis of literary research, therefore, the focus of the article is the study of the Luxu folk songs themselves. Through the study of the Noumenon of the Luxu folk songs, especially the system research and the image selection of the Luxu folk songs, people can really understand the living conditions and social mentality of the people at that time, and understand the special position of the Luxu folk songs in the folk songs of the Wu area. From the folk song text, reflects its style characteristic and the folk custom culture. The text is divided into four chapters: the first chapter is the main contents of the Luxu folk songs: it reflects the anti-oppression and anti-feudal consciousness of the folk songs reflecting the suffering of life, and excavates the female consciousness of the folk songs from the women's bold pursuit of love freedom. The second chapter is about the institutional form of Luxu folk songs: from two different styles of short folk songs and long folk songs, the paper illustrates the structural characteristics of the long narrative folk songs, including the time and space as the choroid organizational structure. The same sentence is used as the organizational structure and the character dialogue is used as the organizational structure. Chapter three: the image selection of Luxu folk songs: the image of "wine", "embroidery" and "mulberry garden" are listed. Chapter four: the regional color of Luxu folk songs: from the perspective of folklore, this paper analyzes the local customs, folk beliefs and language characteristics of Luxu.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J607

【参考文献】