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浅析贝多芬《E大调第三十首钢琴奏鸣曲》Op.109的哲学意义及演奏

发布时间:2018-11-03 16:11
【摘要】: 路德维希·凡·贝多芬(Ludwig van Beethoven 1770-1827)是迄今为止最伟大的作曲家之一,其创作的32首钢琴奏鸣曲不仅延续了前人的传统,端正的遵循着古典之风,而且也以其种种的独创性和愈加丰富的情感内容不断颠覆着当时人们的听觉,也很大程度地影响着音乐的发展方向。他的晚期钢琴奏鸣曲中,抒情风格在一定程度上占据了原有的英雄主义风格。现实中的种种矛盾,比如他与侄子的关系、病情的日渐严重和生活的压力等导致了他的精神和创作更渴望自由。更重要的是,这一时期由于他一生哲学思想的提炼,也使得晚期奏鸣曲中的乐思更加的深刻和复杂。 本文较多的采用“比较研究法”,把贝多芬置于德国古典主义的大环境下,从贝多芬的精神、哲学角度去分析贝多芬《E大调第三十首钢琴奏鸣曲Op.109))的创作背景和结构特征,启发读者对贝多芬晚期奏鸣曲更深的了解;并从同样的角度,并结合现有资料,对贝多芬晚期钢琴作品的学习和演奏提供较为科学的指导。 文章分为四个章节,第一章以德国文化和哲学的角度从整体上把握贝多芬的哲学理念。贝多芬身处德国古典主义哲学最辉煌的时期,他本人的思想也深受如康德,席勒等哲学家的影响。因此了解贝多芬的哲学理念,对演奏者理解贝多芬创作中的精神含义具有切实的作用。第二章结合相关文字资料,分析了贝多芬创作《E大调第三十首钢琴奏鸣曲Op.109》创作的历史背景和个人背景;第三章分析了此曲三个乐章的结构特征,亦能从这首奏鸣曲的结构中,观察到贝多芬晚年曲式结构的特点与创新。第四章则从四个部分着手:艺术形象、节奏、声音和技术,对奏鸣曲Op.109的的演奏提供一定的指导。结论部分,从上述的四个章节的论述中进一步总结归纳。全文力争以大量的文学资料和科学论述,客观、公正地对试图学习贝多芬钢琴奏鸣曲的读者给予一定的帮助。
[Abstract]:Ludwig van Beethoven (Ludwig van Beethoven 1770-1827) is one of the greatest composers to date. His 32 piano sonatas not only follow the tradition of predecessors, but also follow the classical style. But also with its various originality and increasingly rich emotional content constantly subversive people's hearing at that time, but also greatly affected the direction of music development. In his late piano sonata, lyric style occupied the original heroism style to some extent. Various contradictions in reality, such as his relationship with his nephew, the increasing severity of his illness and the stress of life, have led to his spiritual and creative desire for freedom. More importantly, due to the refinement of his philosophy in his whole life, this period also makes the music in the late sonatas more profound and complicated. In this paper, the "comparative research method" is used to put Beethoven in the great environment of German classicism, and from the spirit of Beethoven, Philosophical analysis of Beethoven (30 Piano Sonata in E major Op.109) the creation of background and structural characteristics, to inspire readers to understand the late Beethoven sonata more deeply; From the same point of view and combined with the existing data, it provides more scientific guidance for the study and performance of Beethoven's late piano works. This paper is divided into four chapters. The first chapter holds Beethoven's philosophy from the perspective of German culture and philosophy. Beethoven was in the most splendid period of German classical philosophy, and his thoughts were influenced by philosophers such as Kant and Schiller. Therefore, the understanding of Beethoven's philosophy plays an important role in understanding the spiritual meaning of Beethoven's creation. The second chapter analyzes the historical background and personal background of Beethoven's creation of Piano Sonata No. 30 (Op.109) in E major. The third chapter analyzes the structural characteristics of the three movements of this song, and from the structure of the sonata, we can observe the characteristics and innovations of Beethoven's musical form in his late years. The fourth chapter starts with four parts: artistic image, rhythm, sound and technology, which provides some guidance for the performance of Sonata Op.109. Conclusion, from the above four chapters of the discussion of further summary. The full text tries to give some help to readers who try to learn Beethoven piano sonatas objectively and impartially with a great deal of literature and scientific argumentation.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J624.1

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