论舒伯特《a小调钢琴奏鸣曲》（D.784）的创作特征与艺术处理
发布时间：2018-12-14 04:38
【摘要】： 舒伯特是19世纪初浪漫主义音乐的代表人物,他的钢琴作品中奏鸣曲不仅数量最多,也最能代表其音乐风格。因此,对于研究早期浪漫主义时期的音乐大师舒伯特来说,他的钢琴奏鸣曲有着不可替代的重要价值。 本文以舒伯特奏鸣曲创作中期的第一首作品《a小调钢琴奏鸣曲》(D.784)作为研究对象,运用音乐分析学的方法,并结合自己的演奏心得,分两章从“音乐分析”、“音乐风格”、“演奏探析”几个角度对此作品进行了较为全面的研究。第一章运用音乐分析的方法对作品的曲式结构、调性、主题进行了描述性分析;第二章从音乐风格入手,对此作品三个乐章在音乐形象的诠释及风格把握等方面进行阐述。 这部作品的三个乐章风格迥异,又不失统一。形式与情感上的平衡、乐思展开、钢琴技巧等方面的特点都显现出舒伯特日趋成熟的个人风格。通过本文的研究,笔者总结归纳出关于《a小调钢琴奏鸣曲》(D.784)在音乐风格和演奏处理等方面的特点,并期以此对舒伯特钢琴奏鸣曲演奏风格的把握提供一定价值的参考。
[Abstract]:Schubert is the representative figure of romantic music in the early 19th century. His piano works not only have the largest number of sonatas, but also represent his musical style. Therefore, his piano sonatas are of irreplaceable importance to the study of Schubert, the music master of the early Romantic period. In this paper, the first work of Schubert Sonata in A minor (D. 784) is taken as the object of study. Using the method of music analysis and combining with one's own experience, this paper divides two chapters from "Music Analysis". The musical style and the analysis of performance have made a comprehensive study on this work. The first chapter uses the method of music analysis to describe the structure, tonality and theme of the works, and the second chapter starts with the music style, and expounds the interpretation and style of the three movements in the music image. The three movements in this work are very different in style and uniform. The balance between form and emotion, the development of music and piano skills all show Schubert's increasingly mature personal style. Through the research of this paper, the author sums up the characteristics of the piano sonata in < a minor] (D. 784) in the aspects of music style and performance processing, etc. In this period, Schubert piano sonata style to grasp the grasp of a certain value of reference.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1
本文编号：2377938
[Abstract]:Schubert is the representative figure of romantic music in the early 19th century. His piano works not only have the largest number of sonatas, but also represent his musical style. Therefore, his piano sonatas are of irreplaceable importance to the study of Schubert, the music master of the early Romantic period. In this paper, the first work of Schubert Sonata in A minor (D. 784) is taken as the object of study. Using the method of music analysis and combining with one's own experience, this paper divides two chapters from "Music Analysis". The musical style and the analysis of performance have made a comprehensive study on this work. The first chapter uses the method of music analysis to describe the structure, tonality and theme of the works, and the second chapter starts with the music style, and expounds the interpretation and style of the three movements in the music image. The three movements in this work are very different in style and uniform. The balance between form and emotion, the development of music and piano skills all show Schubert's increasingly mature personal style. Through the research of this paper, the author sums up the characteristics of the piano sonata in < a minor] (D. 784) in the aspects of music style and performance processing, etc. In this period, Schubert piano sonata style to grasp the grasp of a certain value of reference.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1
【引证文献】
中国期刊全文数据库 前1条
1 陈默默;;舒伯特的奏鸣曲创作风格解读——以《a小调钢琴奏鸣曲》(D.784)为例[J];吉林广播电视大学学报;2012年06期
，本文编号：2377938
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