西贝柳斯交响诗的作曲技法与创作共性之研究
发布时间：2019-02-10 20:13
【摘要】： 西贝柳斯是芬兰最著名的作曲家、民族乐派的代表人物。他一生创作了大量作品并涉及了多种体裁和形式。其中七部交响曲、若干交响诗以及小提琴协奏曲最鲜明地体现了他的创作倾向和艺术风貌。 本文主要以他的交响诗作为研究对象,对其进行作曲技法和创作风格方面的研究。全文共分为三章。 第一章:概述。分为三节,第一节简要介绍了西贝柳斯的生平;第二节介绍了西贝柳斯交响诗的创作经历;第三节对交响曲和交响诗这两种体裁进行了介绍和比较,为之后进一步介绍交响诗这一体裁打下了基础。 第二章:西贝柳斯交响诗的创作技法特征。对其主要的几首交响诗进行了较为详尽的分析,总结出西贝柳斯常用的一些作曲手法,这部分是本文的核心部分。分别从调式、和声、动机与主题、旋律、节奏、配器六个方面分析与研究。第一节,总结了西贝柳斯三个典型的调式使用手法:多利亚调式、平行大小调、全音阶与半音阶。第二节,通过对三全音、特里斯坦和弦、“静态”和声以及半音和声这四个和声手法使用的研究来探求西贝柳斯交响诗的总体和声风格。第三节,较为详细的分析了主要交响诗作品中动机与主题的使用。第四节,把旋律进行的特征主要归为以下五个方面:小三度进行的旋律、全音进行的旋律、半音上行的旋律、固定音型式的旋律、长时值持续音和同音重复。第五节,列举了交响诗中一些有代表性的节奏型,如“夜骑”节奏型、“号角式”的节奏型。第六节,叙述了主要交响诗作品的配器手法。第七节,分析了有代表性的一些作品并总结出西贝柳斯在曲式结构上的使用手法。 第三章:分析了西贝柳斯创作的民族精神以及交响诗创作技法的影响。西贝柳斯没有总结和确定自己的作曲理论,也没有给他的后者以直接的影响,但他在音乐上的成就已经被全世界公认,他不是一味的追求所谓的新,而是把自己与大自然与社会紧紧联系在一起,执著而顽强的走自己的路。
[Abstract]:Sibelius is Finland's most famous composer, the representative of national music. In his life, he created a large number of works and involved a variety of genres and forms. Seven symphonies, a number of symphonic poems and violin concertos most vividly reflect his artistic style. In this paper, his symphonic poetry as a research object, its composition techniques and creative style research. The full text is divided into three chapters. Chapter one: Overview. The first section briefly introduces the life of Sibelius, the second section introduces the creation experience of Sebelius' symphonic poetry. The third section introduces and compares symphony and symphonic poetry, which lays a foundation for the further introduction of symphonic poetry. The second chapter: the creation technique characteristic of Sibelius symphonic poem. The author makes a detailed analysis of his main symphonic poems and sums up some commonly used composing techniques of Sibelius, which is the core part of this paper. Analysis and research are made from six aspects: mode, harmony, motivation and theme, melody, rhythm and orchestration. In the first section, three typical modes of use of Sibelius are summarized: Doria mode, parallel big minor, full scale and half scale. In the second section, the author explores the overall harmony style of Sebelius's symphonic poems by studying the use of three complete tones, Tristan chord, "static" harmony and semitone harmony techniques. In the third section, the use of motivation and theme in the main symphonic poems is analyzed in detail. In the fourth section, the characteristics of melody are classified into the following five aspects: the melody carried out by small third degree, the melody carried out by the whole tone, the melody of the uplink of the semitone, the melody of the fixed tone type, the long-time continuous sound and the homophonic repetition. The fifth section enumerates some typical rhythmic patterns in symphonic poems, such as "Night Ride" and "bugle Rhythm". The sixth section describes the orchestration of the main symphonic poems. In the seventh section, we analyze some representative works and summarize Sibelius' usage in the form structure. The third chapter analyzes the national spirit of Sibelius and the influence of symphonic poetry creation techniques. Sibelius did not sum up and determine his theory of composition, nor did he give him a direct influence on the latter, but his achievements in music have been recognized all over the world, he is not blindly pursuing the so-called new, Instead, they are closely linked with nature and society, persistent and tenacious in their own way.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J614.5
本文编号：2419505
[Abstract]:Sibelius is Finland's most famous composer, the representative of national music. In his life, he created a large number of works and involved a variety of genres and forms. Seven symphonies, a number of symphonic poems and violin concertos most vividly reflect his artistic style. In this paper, his symphonic poetry as a research object, its composition techniques and creative style research. The full text is divided into three chapters. Chapter one: Overview. The first section briefly introduces the life of Sibelius, the second section introduces the creation experience of Sebelius' symphonic poetry. The third section introduces and compares symphony and symphonic poetry, which lays a foundation for the further introduction of symphonic poetry. The second chapter: the creation technique characteristic of Sibelius symphonic poem. The author makes a detailed analysis of his main symphonic poems and sums up some commonly used composing techniques of Sibelius, which is the core part of this paper. Analysis and research are made from six aspects: mode, harmony, motivation and theme, melody, rhythm and orchestration. In the first section, three typical modes of use of Sibelius are summarized: Doria mode, parallel big minor, full scale and half scale. In the second section, the author explores the overall harmony style of Sebelius's symphonic poems by studying the use of three complete tones, Tristan chord, "static" harmony and semitone harmony techniques. In the third section, the use of motivation and theme in the main symphonic poems is analyzed in detail. In the fourth section, the characteristics of melody are classified into the following five aspects: the melody carried out by small third degree, the melody carried out by the whole tone, the melody of the uplink of the semitone, the melody of the fixed tone type, the long-time continuous sound and the homophonic repetition. The fifth section enumerates some typical rhythmic patterns in symphonic poems, such as "Night Ride" and "bugle Rhythm". The sixth section describes the orchestration of the main symphonic poems. In the seventh section, we analyze some representative works and summarize Sibelius' usage in the form structure. The third chapter analyzes the national spirit of Sibelius and the influence of symphonic poetry creation techniques. Sibelius did not sum up and determine his theory of composition, nor did he give him a direct influence on the latter, but his achievements in music have been recognized all over the world, he is not blindly pursuing the so-called new, Instead, they are closely linked with nature and society, persistent and tenacious in their own way.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J614.5
【参考文献】
相关期刊论文 前1条
1 梁粤梅;论《西贝柳斯小提琴协奏曲》第一乐章的演奏[J];贵州大学学报(艺术版);2002年03期
，本文编号：2419505
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