河北保定徐水高庄“音乐会”研究

发布时间：2018-01-05 08:29

本文关键词：河北保定徐水高庄“音乐会”研究　出处：《河北大学》2014年硕士论文　论文类型：学位论文

【摘要】：在河北省保定市徐水县的高庄村,有一个流传了五百余年且目前保存相对完好的民间鼓吹乐社,这就是高庄“音乐会”,属冀中“音乐会”的北乐派。本文对高庄“音乐会”进行了细致深入地剖析,从整体——细节——再到整体的方式层层深入,最后上升到文化的高度,全面展示高庄“音乐会”的真实面貌。第一章绪论部分阐述了对高庄“音乐会”的研究目的和研究意义、对整个冀中“音乐会”以及目前高庄“音乐会”的学术研究现状,笔者通过民族音乐学的调查方法对高庄“音乐会”进行了田野考察,由此总结出选此为题的几点创新之处。第二章的内容是对高庄“音乐会”的历史演革的介绍说明,包括“音乐会”一词的渊源、南乐会与北乐会在各方面的比较,以及从高庄流传下来的文物和经卷的记载挖掘高庄“音乐会”的历史,包括其形成发展、打击恢复的艰辛曲折的历程。第三章对高庄“音乐会”的物质构成部分做了详细地介绍,包括其九个组织部门各自的主要职责和负责人传承情况,以及其中两个核心部门——前坛与后坛的内容构成,包括在会人员、乐谱保存、经卷保存、演奏乐器和法器的现状研究。第四章是笔者在2014年正月十二至正月十九期间对“音乐会”实地考察活动流程的详细记录及内在本质,并对高庄“音乐会”的特征进行总结概括。第五章从文化和社会两个个角度剖析高庄“音乐会”的研究价值。第六章针对高庄“音乐会”现在的生存状况,并对这种现状产生的种种问题给出了可行的保护措施,希望可以对民族文化事业的繁荣献绵薄之力。高庄“音乐会”即属于鼓吹乐种,其意义又远远超出了乐种的范畴,它是中国传统民间文化外在展示,我们可以通过它了解到被音乐这种外在形式所包裹的更多的历史和文化内涵,而这才是真正支撑它延续至今的内在支撑。
[Abstract]:In Xushui County of Hebei province Baoding City High Village, there is a spread of more than five hundred years and currently preserved folk guichui music society, this is Gao Zhuang "concert", Hebei in the "concert" of North music. In this paper, Gao Zhuang "concert" conducted a detailed in-depth analysis, from the overall, details to the overall way of in-depth, finally to the high level of culture, a comprehensive display of Gao Zhuang "concert" real appearance.
The first chapter elaborates on Gao Zhuang "concert" on the purpose and significance, on the whole Hebei "concert" and the "high village concert" the status quo of academic research, the author through the investigation method of Ethnomusicology of Gao Zhuang "concert" undertook fieldwork, this paper summarizes some innovations chose this subject. The second chapter is on the "concert" of Zhuang's historical evolution of the introduction, including the origin of the concert "one word, compared with North music will Nanle in various aspects, as well as the material and books handed down from the high village records of the mining Gaozhuang" concert "the history, including its formation and development, hit recovery difficult and tortuous process. The third chapter of Gao Zhuang" concert "material component in detail, including the nine main responsibilities of the Organization Department of the responsible person and Inheritance, and one of the two core sectors -- before the altar and altar after the contents, including the personnel, music preservation, preservation of books, playing musical instruments and musical instruments. The fourth chapter is a detailed record of the month in 2014 twelve to nineteen month period of "concert" fieldwork activities and internal processes the essence and characteristics of high Zhuang "concert" summarizes the research value. The fifth chapter analyzes Gao Zhuang "concert" from the cultural and social angles were two. In the sixth chapter, according to Gao Zhuang "concert" now living conditions, problems and the status quo of the protection measures are feasible, the hope can the prosperity of national culture to contribute.
Gao Zhuang "concert" that belongs to the drum music, its significance far beyond the music category, it is Chinese external display of traditional folk culture, we can understand it to be the external form of music package more historical and cultural connotation, and this is the real support of the internal support it continues today.

【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J607

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