勋伯格《第一室内交响曲》研究

发布时间：2018-01-22 23:34

本文关键词： 勋伯格《第一室内交响曲》音高体系体裁融合规则化模糊性审美范畴　出处：《上海音乐学院》2014年硕士论文　论文类型：学位论文

【摘要】：本文以勋伯格《第一室内交响曲》为研究对象,重点分析这部作品在调性语言及体裁融合方面的特征,并在分析结果的基础上探讨20世纪初音乐规则与音乐审美的发展趋势。本文基本部分由四个章节构成,第一章主要介绍这部作品的促成原因；第二章从结构特征、调性特征以及和声语言三个方面分析研究这部作品对无调性音乐表现力极限的探索,及其为勋伯格无调性音乐创作的出现所做的准备；第三章是从体裁特征方面分析这部作品如何为未来更为广泛的音乐表现力提供的可能性；第四章则建立在第二、三章的作曲技法和体裁特征研究的基础之上,延伸性地探讨了西方音乐创作中规则化与模糊性相互交替的螺旋式发展规律,和20世纪表现主义审美取向的转变,以及以上特征在勋伯格《第一室内交响曲》创作中的体现。
[Abstract]:Taking Schoenberg's first Chamber Symphony as the object of study, this paper focuses on the characteristics of the blending of tonality language and genre. On the basis of the analysis of the results, this paper discusses the development trend of music rules and music aesthetics in the beginning of 20th century. The basic part of this paper consists of four chapters, the first chapter mainly introduces the causes of this work; In the second chapter, the author analyzes and studies the limit of the expressive power of the atonal music in this work from the aspects of structure, tonality and harmony language, and the preparation for the appearance of Schoenberg's anatonic music creation. The third chapter analyzes the possibility of how this work can provide more extensive musical expression in the future from the aspect of genre characteristics. Chapter 4th is based on the second and third chapters of the study of composition techniques and genre characteristics on the basis of an extension of the western music creation in the rule and fuzziness alternately spiral development law. In 20th century, the transformation of expressionist aesthetic orientation, and the above characteristics in Schoenberg's first Chamber Symphony.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J605

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