贝多芬《C大调第一钢琴协奏曲》演奏版本比较和演奏风格研究

发布时间：2018-01-28 04:25

本文关键词： 演奏版本演奏风格二度创作比较分析　出处：《东北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：伟大的德国作曲家钢琴家贝多芬一生中创作了大量具有时代气息的优秀作品，在创作手法的创新方面无人能及，是维也纳古典乐派的杰出代表，更成为巴洛克音乐到古典音乐里程碑式的人物。在贝多芬创作的五首协奏曲中，《C大调第一钢琴协奏曲》(OP.15)的风格延续了海顿、莫扎特的轻松电压的古典风格，追求一种和谐、平和的没。虽然这首协奏曲中有很多莫扎特的影子和维也纳传统影响的痕迹，但是第二月中的朗诵式停顿和自由的节奏结构，以及第三乐章的幽默和谐风格和作曲技法可以明显看到贝多芬的独创精神，初步显现了浪漫主义风格，揭开了浪漫主义音乐的新纪元。本文在音乐二度创作的原则下对贝多芬《C大调第一钢琴协奏曲》的15个钢琴演奏版本进行了音乐表演风格的比较研究，中真实性、时代性、民族性、学派等标准衡量各个版本，，对比异同并分析其原因，发现二度创作的多样性及影响演奏风格的各种因素，阐述版本的比较研究对当下钢琴表演的启示。
[Abstract]:Great German composer pianist Beethoven created a large number of excellent works with the flavor of the times in the creative techniques of innovation no one is the outstanding representative of the Vienna classical school. In Beethoven's five concertos, Piano Concerto No. 1 in C major continues Haydn's style. Mozart's relaxed voltage of the classical style, the pursuit of a harmonious, peaceful not. Although this concerto has a lot of Mozart's shadow and the influence of the vestiges of Vienna tradition. But in February, the recitation pause and the free rhythm structure, as well as the humorous harmonious style and composition technique of the third movement, can obviously see Beethoven's original spirit, showing the Romantic style preliminarily. Opened a new era of romantic music. Based on the principle of second creation of music, this paper makes a comparative study on the music performance styles of 15 piano performance versions of Beethoven's Piano Concerto No. 1 in C major. The school and other standards measure the different versions, compare the similarities and differences, analyze the reasons, find the diversity of the second creation and the various factors that affect the performance style, and expound the enlightenment of the comparative study of the version to the present piano performance.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1

【共引文献】