图腾崇拜下的蒙古族音乐体系的形成原则分析

发布时间：2018-01-28 13:40

本文关键词： 图腾崇拜音乐体系形成原则问题研究　出处：《音乐创作》2015年11期 　论文类型：期刊论文

【摘要】：纵观人类音乐历史发展的历程,音乐的产生与人类的图腾崇拜和劳动信仰有着密切的联系。无论是我国古代的雅乐体系还是蒙古族的图腾音乐体系,在形成的原则和音乐对象的意象演奏表达方面都有着很大的相似之处。从音乐哲学的延伸流派来看,中原音乐文化的宫廷音乐、祭祀音乐、仪式礼制音乐都是从早期图腾神话音乐体系逐渐分离出来而形成的。同样,蒙古族自身民族音乐体系的建立和内蒙古各地区音乐流派的形成也与远古代蒙古先民的图腾意识崇拜有着密不可分的联系,在蒙古民族音乐的元素框架下蒙古人的图腾意识是影响着音乐精神形成的主要因素,可以说蒙古先民的图腾意识和自然崇拜情感在蒙古音乐体系的灵魂,近似于音乐膜拜的思感是蒙古音乐精神的源泉和动力。
[Abstract]:Throughout the history of human music development, the emergence of music and human totem worship and labor belief has a close relationship, whether our ancient Ya music system or Mongolian totem music system. In the formation of the principles and music objects of the image of the expression of aspects have a lot of similarities. From the extension of the school of music philosophy, the Central Plains music culture of the palace music, sacrificial music. Ritual music is gradually separated from the early totem mythology music system. The establishment of Mongolian national music system and the formation of music schools in various regions of Inner Mongolia are closely related to the totem consciousness worship of ancient Mongolian ancestors. Mongolian totem consciousness is the main factor influencing the formation of music spirit under the framework of Mongolian folk music elements. It can be said that the Mongolian ancestors' totem consciousness and natural worship emotion are the soul of Mongolian music system. The feeling of thinking similar to music worship is the source and motive force of Mongolian music spirit.
【作者单位】：内蒙古大学艺术学院;
【分类号】：J607
【正文快照】： 一、研究意义(一)理论意义以马克思的辩证唯物主义为理论认识的基础,结合于民族音乐特色的理解来分析蒙古族音乐的图腾崇拜的意识形态。以辩证唯物主义的实践论为研究方法树立正确的认识来源于实践的研究思路,从实践调查取得第一手资料为研究的突破点,正确的认识蒙古音乐发展

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