略探嵇康与《声无哀乐论》

发布时间：2018-01-31 14:15

本文关键词： 声无哀乐声有哀乐感情　出处：《西北师范大学》2006年硕士论文　论文类型：学位论文

【摘要】： 中国古代文化是以儒家思想为主导思想，这一时期的音乐理论家们一直主张“声有哀乐”，直至魏晋南北朝时期，嵇康提出了“声无哀乐”的乐论观点，并成形于他的音乐理论作品《声无哀乐论》，从此掀起了历史上几千年以来后人们对于“声无哀乐”与“声有哀乐”争论与学习的浪潮…… 本文是抱以学习的态度探讨、分析音乐家嵇康《声无哀乐论》中所持的“声无哀乐”观点与“声有哀乐”观点之争。分析、探讨了嵇康《声无哀乐论》形成的原因，列举了《声无哀乐论》一文中主要的例证观点。追寻、查找着古人的足迹，，忠实地记录了古人带给我们的巨大的精神财富。论文分为四部分： (一)绪论：概述了本论题的主要内容，并说明“声无哀乐”及“声有哀乐”在中国音乐史上产生的重要影响。 (二)主体：论文的主体分为四个部分进行论述。 1、嵇康及其音乐思想：介绍了嵇康的生平与主要作品；嵇康的音乐思想及其形成的原因； 2、“声无哀乐”与“声有哀乐”：简介了嵇康的《声无哀乐论》；列举了中外历史上持“声无哀乐”与“声有哀乐”有代表性的观点与音乐理论家；概述了嵇康在《声无哀乐论》中所持“声无哀乐”的几点重要观点并进行学习与分析：(1)音乐的本源问题；(2)关于音乐欣赏中主客体的关系问题；(3)关于音乐是否能“移风易俗”的问题； 3、从嵇康的《声无哀乐论》引出音乐与感情的关系：详述了音乐与感情是有联系的，音乐能够表达人的感情； 4、结语：通过对嵇康《声无哀乐论》的学习与研究，阐述了作者不成熟的观点，尽述了嵇康的“声无哀乐”论的历史意义。
[Abstract]:Ancient Chinese culture was dominated by Confucianism. Music theorists in this period always advocated that "there is sorrow and music", until the Wei, Jin, Southern and Northern dynasties, Ji Kang put forward the music theory of "sound without sorrow". And formed in his music theory work, "the Theory of Sound without sadness", from then on set off the history of thousands of years after people "no sad music" and "voice has sorrow" debate and study of the tide. This article is to discuss with the attitude of learning, and analyze the controversy between the viewpoint of "sound without sorrow" and the view of "sound has sorrow and joy" held by musician Ji Kang. This paper probes into the reasons for the formation of Ji Kang's Theory of No Sorrow and Music, and enumerates the main illustrative viewpoints in the essay "the Theory of Sound without sadness", which seeks to find the footprints of the ancients. Faithful record of the ancients brought us great spiritual wealth. The paper is divided into four parts: (1) introduction: this paper summarizes the main contents of this thesis, and explains the important influence of "sound without sorrow" and "sound with sorrow" on the history of Chinese music. (2) subject: the main body of the thesis is divided into four parts to discuss. 1. Ji Kang and his music thought: it introduces Ji Kang's life and main works, his music thought and the reason of its formation; (2) "Sound without sorrow" and "sound with sorrow": a brief introduction to Ji Kang's "the Theory of Sound without Sorrow"; This paper enumerates the representative views and music theorists in the history of China and foreign countries who hold "the voice has no sorrow" and "the sound has the sad music"; This paper summarizes some important viewpoints of Ji Kang in "Sound without sorrow" and studies and analyzes the origin of music. (2) the relationship between subject and object in music appreciation; (3) the question of whether music can "change the customs"; (3) the relationship between music and emotion is derived from Ji Kang's "the Theory of Sound without sadness": the relationship between music and emotion is described in detail, and music can express people's feelings; 4. Conclusion: through the study and research on Ji Kang's Theory of No Sorrow and Music, this paper expounds the author's immature viewpoint and expounds the historical significance of Ji Kang's theory of "No Sound without Sorrow".
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2

【引证文献】