中国与东亚诸国的雅乐及重建雅乐的思考

发布时间：2018-02-22 20:15

本文关键词： 雅乐登歌乐悬佾舞　出处：《中国音乐》2011年02期 　论文类型：期刊论文

【摘要】：2011年1月下旬在中国音乐学院音乐研究所成立了雅乐研究中心,这是我国首次对历史上的一个乐种展开全面研究、重建原貌等而成立的一个学术机构。可见雅乐在我国历史文化中的厚重感及其重要性。雅乐从距今三千多年前的周朝初出以来一直占据着我国的宫廷舞台,伴随着儒家的礼乐文化渗透在中国以及东亚汉字文化圈的诸多地域之中。但是雅乐在中国随着最后一个清王朝的崩溃走向消亡。日本、朝鲜、越南等地域的雅乐尽管仍然存在,但是它们与中国原始的雅乐之间是一种什么关系?我国的历代雅乐又是怎样发展、变迁的等很少得到实质性的讨论。本文就以上问题展开阐述,并对我国重建雅乐提出粗浅的思考。
[Abstract]:In late January 2011, the Institute of Music of the Chinese Conservatory of Music established the Artist Music Research Center, which is the first time in China to carry out a comprehensive study of a music species in history. An academic institution set up to rebuild its original appearance and so on. It can be seen that elegant music is of great importance in the history and culture of our country. It has been occupying the court stage of our country since the beginning of the Zhou Dynasty more than 3,000 years ago. The Confucian culture of etiquette and music permeated China and many parts of the East Asian Chinese character culture circle. But Yale died in China with the collapse of the last Qing Dynasty. Although Yale still exists in Japan, North Korea, Vietnam, etc. But what is the relationship between them and the primitive elegance of China? The development and vicissitude of the elegant music in the past dynasties in our country are seldom discussed substantively. This paper expounds the above problems and puts forward some superficial thoughts on the reconstruction of the elegant music in our country.
【作者单位】：上海音乐学院;
【基金】：上海音乐学院国家重点学科建设项目,项目编号:050402
【分类号】：J609.2

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