《人民音乐》与中国当代音乐批评（1950-2010）

发布时间：2018-03-04 16:03

本文选题：《人民音乐》　切入点：音乐批评　出处：《东北师范大学》2013年博士论文　论文类型：学位论文

【摘要】：本篇论文以由中国音乐家协会创办；由郭沫若先生题词；在新中国时期最早以“评论性”定位；全国唯一集学术信息、学术动态、学术研究等为一体的国家重点音乐核心刊物《人民音乐》（1950-2010）为研究对象，以《人民音乐》对推动中国当代音乐批评所做出的重要贡献为主线，采用比较和分析相结合的研究方法，从杂志历史发展轨迹入手，通过对音乐批评的回顾，总结出每一时期音乐批评的热点问题，并以此探索当时中国音乐批评坚持的原则道路、影响力和重要意义。在实证性文献考据的基础上，分析并阐述《人民音乐》的时代学术价值，以及带给音乐批评界的重要启示，确定其历史地位，从而引发对中国音乐批评发展前景的思考与展望。本文共分六个部分。引言部分，主要论述了本选题的研究背景、研究意义与研究现状，阐明《人民音乐》研究的必要性及填补学术空白之创新性。第一部分，对《人民音乐》创办的时代背景和历史发展轨迹进行回顾，并通过栏目内容等数量统计，分析《人民音乐》的办刊特点，进而说明《人民音乐》在我国音乐事业中的地位与影响。第二部分，这是我国社会主义建设事业蓬勃发展并取得重大成就的时期，也是新中国音乐批评的第一个高潮期（1950-1966），通过列举《人民音乐》在“十七年”关于音乐“民族化”等主要问题的讨论，分析这一时期中国音乐批评的功能与特点。第三部分，1978年12月，中共十一届三中全会在北京召开，从而恢复了活跃的争鸣气氛，出现了20世纪中国音乐批评的第二次高潮期（1976-2000），此段落强调音乐批评在经历了“文革”的冲击后，全面处在拨乱反正的蓬勃发展状态；以及在1989年动乱后，音乐界在经历短暂的迂回曲折阶段中，音乐批评的主要论域。第四部分，1992年，邓小平发表的“南巡讲话”扭转了我国当时的政治、经济局势，中国音乐理论界终于获得了在音乐观念上的一次真正的解放，此章节通过比较这一时期《人民音乐》和其他迅速发展起来的音乐期刊上所发表的批评文章，阐释我国进入新世纪前后，即音乐界的后新时期（2000-2010），音乐批评主要关注点和百家争鸣、众声喧哗的音乐批评多元发展的阶段特征及更高层次意义的讨论。结语部分，重点分析了音乐批评对中国音乐历史进程的重要价值及积极意义，，并对我国音乐批评事业的发展进行了展望。
[Abstract]:This paper is founded by the Chinese musicians Association; written by Mr. Guo Moruo; first positioned as "critical" in the New China period; the only collection of academic information in the country, academic trends, The core publication of national key music, "people's Music" (1950-2010), which is an integral part of academic research, takes the important contribution made by "people's Music" to promote the contemporary music criticism in China as the main line, and adopts the research method of combining comparison and analysis. Starting with the historical development of the magazine, through the review of music criticism, this paper summarizes the hot issues of music criticism in every period, and explores the principle of music criticism in China at that time. Influence and significance. On the basis of textual research of empirical literature, this paper analyzes and expounds the academic value of the times of "people's Music", as well as the important enlightenment to the music critics, and determines its historical status. So as to trigger the development prospects of Chinese music criticism thinking and prospects. This paper is divided into six parts. The introduction mainly discusses the research background, research significance and current situation of this topic, expounds the necessity of the study of people's Music and the innovation of filling up the academic blank. This paper reviews the background and historical development of the founding of "people's Music", and analyzes the characteristics of "people's Music" through the quantitative statistics of the contents of the columns. Then explains the position and influence of "people's Music" in the music cause of our country. The second part, this is the period of vigorous development and great achievement in the cause of socialist construction in our country. It is also the first high tide of music criticism in New China. By enumerating the "people's Music" in "17 years" and other major issues such as "nationalization" of music, This paper analyzes the functions and characteristics of Chinese music criticism in this period. The third part, in December 1978, held the third Plenary session of the Eleventh Central Committee of the Communist Party of China in Beijing, thus restoring an active atmosphere of contention. The second peak period of Chinese music criticism in 20th century was 1976-2000. This paragraph emphasizes that music criticism, after the impact of the "Cultural Revolution", was in a state of vigorous development after the "Cultural Revolution"; and after the turmoil in 1989, During a brief period of twists and turns in the music industry, the main field of discussion of music criticism. Part 4th. In 1992, Deng Xiaoping's "Southern Patrol speech" reversed the political and economic situation in China at that time. The Chinese music theorists have finally achieved a real liberation in the concept of music. This chapter compares the critical articles published in the people's Music and other rapidly developing music journals during this period. This paper explains the stage characteristics and higher level meaning of music criticism, which is about entering the new century, that is, the post-new period of music circle, the main focus of music criticism and the contending of a hundred schools of thought, the multivariate development of music criticism and the higher level meaning of music criticism. This paper analyzes on the important value and positive significance of music criticism to the historical process of Chinese music, and looks forward to the development of music criticism in China.
【学位授予单位】：东北师范大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J609.2

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