20世纪前期中国原创弦乐作品的美学特征从中国美学思想史的视野看

发布时间：2018-03-07 09:28

本文选题：美学思想史视野　切入点：20世纪前期　出处：《上海师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：本文研究的20世纪前期原创弦乐作品是以小提琴为主，包括大提琴、中提琴和在歌曲伴奏中由弦乐担任重要角色的作品。弦乐艺术诞生在16世纪初，正是世界格局发生重大转变的时期，也是世界历史发生重大转折的时期。它的发展经历了漫长的历史阶段，从早期的萌芽状态、到逐步完善理论体系再到如今的繁荣昌盛，横跨了几个世纪。中国的音乐文化源远流长，可以说是世界上音乐文化发展最早的国家之一。虽然说弦乐艺术起源于西方，但是其在东方特别在中国的发展是不容小觑的。明朝被迫解除百余年的海禁，通商通船，从而为小提琴艺术传入中国提供了条件。随着东西方文化交流得日益密切，小提琴艺术也茁壮成长，传播和发展。20世纪以来，中国社会经历了“五四”新文化运动的洗礼，崭新的文化浪潮促使新音乐开始勃兴，传统音乐地位下降，中国的新兴音乐事业呈现出一派欣欣向荣的景象。弦乐艺术在中国的传播从一开始到整个过程就是一种社会文化行为，中国的弦乐艺术在每个历史发展阶段都呈现出不同的文化思想和文化价值取向。本文正是基于中国美学思想史的视野，，通过分析20世纪前期不同类型作曲家既海外华人作曲家、国内艺术院校作曲家和左翼革命队伍作曲家的创作情况，指出其美学特征为来自西洋的良好技艺、传统经典的现代转换、海外精华的本土转换。由于这些作曲家的共同努力，创作了很多为时代服务的作品。在五四新文化浪潮推进现代化建设的过程中，这些原创弦乐作品表现出了怎样的美学特征？并把这些美学特征带入到其发展的各个阶段，分别是草创期（1915年-1927年）、繁荣期（1927年-1941年）和为时所用期（1942年-1949年）进行验证。这里的美学特征不同于以往的音乐作品美学特征，是从未被发掘的。根据不同作品、不同阶段的发展历程，总结其发展规律，探索其形成基础，分析其艺术得失，以及对后世弦乐艺术创作的影响和对当代社会主义新文化建设具有的借鉴作用。
[Abstract]:The original string works studied in this paper in early 20th century are mainly violin-based works, including cello, viola and string music in song accompaniment. String art was born in early 16th century. It is the period when the world pattern has undergone a major change, and the period in which the world history has undergone a major turning point. Its development has gone through a long historical period, from the early embryonic state to the gradual improvement of the theoretical system to the prosperity of the present. The music culture of China has a long history, and it can be said that it is one of the earliest countries in the world to develop the music culture. Although it is said that the string music art originated in the West, However, its development in the East, especially in China, was not to be underestimated. The Ming Dynasty was forced to lift more than a hundred years of sea bans and trade ships, thus providing conditions for violin art to be introduced into China. With the increasing cultural exchanges between the East and the West, Violin art also thrived. Since the 20th century, Chinese society has experienced the baptism of the May 4th New Culture Movement. The new cultural wave has prompted the new music to flourish, and the status of traditional music has declined. China's burgeoning music industry shows a thriving scene. The spread of string art in China from the beginning to the entire process is a social and cultural behavior. Chinese string art presents different cultural thoughts and cultural value orientations in each stage of historical development. This paper is based on the perspective of the history of Chinese aesthetic thought and analyzes the overseas Chinese composers of different types of composers in the early period of 20th century. The creation of composers in domestic art academies and the left wing revolutionary contingent composers has been pointed out that their aesthetic characteristics are good skills from the West, the modern transformation of traditional classics, and the local transformation of the essence of the overseas countries. As a result of the joint efforts of these composers, Created a lot of works to serve the times. In the May 4th New Culture Wave to promote the modernization process, these original string works showed what aesthetic characteristics? And to bring these aesthetic features into each stage of its development, namely, the period of creation (1915-1927), the period of prosperity (1927-1927) and the period of duration (1927-1927). The aesthetic characteristics here are different from those of previous musical works. According to the development process of different works, different stages, summing up the law of its development, exploring its formation basis, analyzing its artistic gain and loss, And the influence to the later generation string music artistic creation and to the contemporary socialism new culture construction has the reference function.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J601;J622

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