从大型作品中探析钢琴演绎新方法——评《钢琴音乐的教学与训练研究》

发布时间：2018-03-07 11:35

本文选题：大型作品　切入点：练琴　出处：《当代教育科学》2015年05期 　论文类型：期刊论文

【摘要】：正二十世纪以来,钢琴作为一门高技能含量、高技巧性、技术种类繁多的课程,在教学实践中越来越重视练习。每一位钢琴学习者都要经历艰苦反复的练习过程。对于钢琴学习者来说,寻求适合自身的练习方法极其重要。练琴的方式方法直接影响演奏质量,因此练琴的重要性日渐凸显。事实证明,必须通过合理科学的练琴方法,才能有效提高练习效率。"教学有法而教无定法"的名言告诉我们,教师在合理运用教材的同时又不应被教材束缚,不可照本宣科。虽然练习始于基本技巧,但其方式方法却不尽相同,因人而异。不同练习者需根据自身情况做具体分析,总结一套适合自己
[Abstract]:Since 20th century, piano as a highly skilled, highly skilled, a wide variety of technical courses, In teaching practice, more and more attention is paid to practice. Every piano learner has to go through a difficult and repeated practice process. For piano learners, It is extremely important to seek suitable methods of practicing. The ways and methods of practicing have a direct impact on the quality of performance, so the importance of practicing is becoming more and more important. Facts have proved that we must adopt a reasonable and scientific method of practicing. In order to improve the efficiency of practice effectively. The famous saying of "teaching has the method but teaching is not certain" tells us that teachers should not be bound by the textbook while using the teaching materials reasonably. Although the exercise begins with the basic skills, But the ways and methods are different, different people. Different practitioners need to make specific analysis according to their own situation, sum up a set of suitable for themselves
【作者单位】：山西省晋中学院音乐学院;
【分类号】：J624.1-4

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