清末民初汉口音乐生活初探

发布时间：2018-03-15 08:43

本文选题：清末民初　切入点：汉口　出处：《武汉音乐学院》2006年硕士论文　论文类型：学位论文

【摘要】： 本文主要着眼于地方音乐史的考察,就汉口在开埠以后至抗战之前这段时间内,各种音乐活动状况,作了一个大致的梳理。这段时期,是中国封建王朝走向寿终正寝的时期,也是外国文化大肆侵入中国的时期。汉口正是这种中西文化交融的一个较为有代表性的城市之一。在这里,传统音乐在受到外来音乐文化冲击的同时继续保持着自己的强劲发展势头,外来音乐文化不断占据着自己的市场,两种文化融合的过程之中一种新的具有中西特点的音乐文化也悄然形成。汉口在明代才正式形成,虽然历史不算太悠久,但由于其独特地理位置,决定了其在明代后期迅速成为四大名镇之一,到清代更为繁盛,及至近代成为很有影响力的大都市。在这种背景下,其娱乐文化活动也逐渐繁盛。由于市民数量的剧增,导致对于音乐娱乐的需求剧增,进而导致音乐活动场所的增加。正是在这一时期汉口本土的戏曲汉剧、楚剧走向了其顶峰,京剧等戏曲和湖北评书等曲艺得到了空前发展。随着西方文化的侵入,西方人在其租界活动领地需要一种适合自己的娱乐方式,宗教音乐、歌舞厅音乐等外国音乐形式开始影响到汉口的音乐生活。但这并没有防碍汉口原有的传统音乐的发展。两种不同文化背景的音乐各自拥有自己的市场,各自拥有自己的参与群体、消费群体。在中西方两种音乐文化的碰撞的过程中,必然会产生新的音乐文化,这主要是学堂乐歌和中国流行音乐的产生。这种新的音乐文化以至于对中国近现代音乐的发展产生了重大的影响。学堂乐歌,张之洞很早就在武汉三镇的学校颁定。但流行音乐的产生,似乎汉口比上海慢了半拍,很多音乐活动都是上海的歌舞团来汉口演出,或者外地音乐团体来汉口演出,而汉口在受到上海的影响后才开始逐渐形成自己的流行音乐团体。汉口在这一特定的历史转型期,也形成了自己独特的音乐文化生活。
[Abstract]:This paper focuses on the investigation of the history of local music, and makes a general analysis of the situation of various musical activities in Hankou during the period between the opening of the port and the period before the War of Resistance against Japan. This period is a period when the feudal dynasty of China was coming to an end. It was also a period when foreign cultures invaded China. Hankou is one of the more representative cities where Chinese and Western cultures blend. Here, While traditional music is impacted by foreign music culture, it continues to maintain its strong development momentum, and foreign music culture continues to occupy its own market. In the process of merging the two cultures, a new music culture with Chinese and western characteristics has been formed quietly. Although the history of Hankou was not too long, it became one of the four famous towns in the late Ming Dynasty because of its unique geographical position, and became more prosperous in the Qing Dynasty. Even in modern times, it became a very influential metropolis. Against this background, its entertainment and cultural activities flourished. As a result of the sharp increase in the number of citizens, there was a sharp increase in demand for music and entertainment. This led to the increase of musical activities. It was in this period that Han opera in Hankou, Chu opera went to its peak, opera such as Beijing Opera and Hubei calligraphy and other qu arts were developed unprecedentedly. With the invasion of Western culture, westerners in their concession areas need a suitable form of entertainment, religious music, Foreign forms of music, such as ballroom music, have begun to affect Hankou's musical life. But this has not hindered the development of Hankou's original traditional music. Two kinds of music with different cultural backgrounds each have their own markets. Each has its own participation groups, consumer groups. In the process of the collision between Chinese and Western music cultures, a new music culture will inevitably emerge. This is mainly due to the emergence of school music and Chinese pop music. This new music culture has had a great impact on the development of modern Chinese music. Zhang Zhidong was awarded early at the school in three towns of Wuhan. However, the production of popular music seems to be half slower in Hankou than in Shanghai. Many music activities involve Shanghai singing and dancing troupes coming to Hankou to perform, or other music groups coming to Hankou to perform. Hankou began to form its own pop music group after being influenced by Shanghai. Hankou formed its own unique music culture life in this particular historical transition period.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2

【引证文献】