宋金元时期北方农村神庙剧场的演进

发布时间：2018-03-15 09:11

本文选题：神庙剧场　切入点：戏台　出处：《文艺研究》2011年05期 　论文类型：期刊论文

【摘要】：宋金元时期是中国古代神庙剧场形成与成熟的重要时期,而宋金元三代北方农村神庙剧场的演进轨迹至为明显。宋代是神庙剧场的创立阶段,演出空间称为"舞楼"或"舞亭",其建在后世称为献殿的位置,呈纵向长方形,观赏空间在庙院的两侧,观众只是神的"陪客";金代是神庙剧场的改进阶段,前期无论是演出空间还是观赏空间与宋代一脉相承,而到了中后期,演出空间进一步缩小,由之前的长方形变成正方形,四面观变成三面观,并远离正殿,作为第一观众的"神"与作为百姓的普通观众被纳入到"同向"的观赏空间之内,观赏空间进一步扩大;元代是神庙剧场的规范化阶段,不仅观赏空间扩大化,而且建筑形制、建筑面积趋于同一,由金代的三面观向小三面观、一面观转化,从而为明代北方农村神庙剧场新形式的探索开启路径。
[Abstract]:The Song, Jin and Yuan dynasties was an important period for the formation and maturity of the ancient temple theater in China, and the evolution of the temple theater in the north of the three dynasties of the Song, Jin and Yuan dynasties was obvious. The Song Dynasty was the founding stage of the temple theater. The performance space is called the "dance tower" or "dance pavilion", which is built in the position of the later generation known as the temple, and is a longitudinal rectangle. The viewing space is on both sides of the temple courtyard, and the audience is only the "companion guest" of the god; the Jin Dynasty is the stage of improvement of the temple theater. In the early stage, both the performance space and the viewing space were closely related to the Song Dynasty, but in the middle and later stages, the performance space was further reduced, from the former rectangle to the square, the four-sided view into the three-sided view, and far away from the main hall. The "god" as the first audience and the ordinary audience as the common people were included in the viewing space of "the same direction", and the viewing space was further expanded. The Yuan Dynasty was the standardized stage of the temple theater, which not only expanded the viewing space, but also shaped the architecture. The building area tends to be the same, from the three-sided view of the Jin Dynasty to the small three-sided view, one view of the transformation, so as to explore the new form of the Northern Rural Temple Theater in the northern part of the Ming Dynasty.
【作者单位】：山西师范大学文学院;
【分类号】：J609.2

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