中国蒙古族风格小提琴作品的创作及演奏研究

发布时间：2018-03-16 15:34

本文选题：蒙古族风格　切入点：小提琴作品　出处：《天津音乐学院》2013年硕士论文　论文类型：学位论文

【摘要】：随着时代的推进,文化融合与更新的步伐愈来愈快,若想在这时代大潮中拥有自己的一席之地,突出民族特色则是文化发展的必经之路。近些年,蒙古族音乐发展迅猛,其深沉悠远的长调、热烈欢快的短调、民族乐器的演奏技法和特殊音效等受到世界各国音乐爱好者的喜爱。中国蒙古族风格小提琴作品作为蒙古族传统音乐的一种传播途径,不仅充实了我国的小提琴艺术宝库,也丰富了小提琴自身的音乐语汇及演奏技法。目前,就笔者所搜集到的资料及相关文献中对中国蒙古族风格小提琴作品的研究大都是单独针对其创作、演奏、教学等的某一方面,且仅是在对我国小提琴作品做整体研究中有所涉及,而专门针对蒙古族风格小提琴作品进行研究的文献则相对贫乏。本文通过对我国蒙古族风格的小提琴作品进行搜集、梳理、分类,从创作特征及演奏技法两个方面对其进行了探究,并总结了其在发展过程中所存在的问题,从而提出相应的解决办法。中国蒙古族风格小提琴作品曾为我国小提琴艺术的发展做出过较大贡献,但在发展过程中由于多方面的原因并未受到应有的重视,且这些问题也存在于我国其他民族风格的小提琴作品中。笔者希望通过本文使广大音乐工作者及爱好者对其有一个相对详细的认知,逐步扩大中国蒙古族风格小提琴作品的影响力,最终在更好地传播蒙古族音乐的同时促进我国小提琴艺术的发展。
[Abstract]:With the advance of the times, the pace of cultural integration and renewal is getting faster and faster. If you want to have your own place in the tide of this era, highlighting the national characteristics is the only way to cultural development. In recent years, Mongolian music has developed rapidly. Its deep and distant long tune, warm and cheerful short tune, the technique of playing national musical instruments and special sound effects are loved by music lovers all over the world. Chinese Mongolian violin works are regarded as a way of spreading Mongolian traditional music. It not only enriches the treasure house of violin art, but also enriches the musical vocabulary and techniques of violin itself. At present, most of the research on Chinese Mongolian violin works collected by the author and related literature is aimed at one aspect of its creation, performance, teaching and so on. And it is only involved in the overall study of violin works in China, while the literature devoted to the study of Mongolian violin works is relatively poor. This paper collects and combs the violin works of Mongolian style in our country. Classification, from the creative characteristics and performance techniques to explore its two aspects, and summed up its problems in the process of development, Chinese Mongolian violin works have made great contributions to the development of violin art in China, but due to various reasons in the process of development, they have not received due attention. And these problems also exist in the violin works of other nationalities in China. The author hopes to make the majority of music workers and lovers have a relatively detailed understanding of it through this article. Gradually expand the influence of Chinese Mongolian violin works, and finally promote the development of Chinese violin art while spreading Mongolian music better.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J622.1

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