改革开放以来新时期的中国音乐美学观念解析

发布时间：2018-03-17 01:24

本文选题：新时期　切入点：音乐艺术　出处：《艺术百家》2015年01期 　论文类型：期刊论文

【摘要】：新时期是我国音乐美学研究蓬勃发展的重要时期。随着改革开放国策的不断深入,中西文化第二次撞击所带来的深刻影响,使音乐美学研究在观念上产生明显变化,形成多样化、多角度、多论域、多观念的发展态势,学科建设突飞猛进,学科观念从传统认识论、方法论拓展至本体论、价值论和实践论,从西方音乐美学追求普适性的一般规律的标准和原则,转向了各自研究体系和方法下的研究目的与研究结果。在音乐美学的基础理论建设中,强调了主体把握客体、创造客体的能力。如"立美"、"审美"和主体"驾驭论"的提出。由于学科发展的多元化和多学科间的相互渗透,使得对音乐美学学科性质的认识不仅限于作为学科存在自身的范畴,而将其论域和研究视角拓展至人和他的文化,它将音乐美学局部与整体的关系,放在人类文化的结构框架中来加以认识,从文化哲学的角度来探讨音乐美学中个别和一般的关系,用文化哲学观念为文化背景下的音乐现象探寻其存在的依据、价值和意义。新时期音乐美学研究的多学科、多元化并举,使音乐美学作为学科存在的"我"的属性不断降低和弱化,音乐美学研究方法的拓展和延伸,使其参照系越加丰富,但不得不承认,其学科自身的属性已经被不同音乐现象丰富的感性事实和文化观念所取代。
[Abstract]:The new period is an important period of Chinese music aesthetics. With the vigorous development of the deepening of reform and opening up policy, the profound impact of Chinese and Western culture impact second times, the study of music aesthetics has obvious changes in the concept of diversification, multi angle, multi domain, multi development concept, discipline construction by leaps and bounds the concept of subject from the traditional epistemology, the methodology is extended to ontology, axiology and practice theory, the pursuit of general rule of universality from the western music aesthetics standards and principles, to the purpose of the study and the results of their research system and methods. In the construction of the basic theory of music aesthetics, the main emphasis of grasp object, object creation ability. Such as "beauty", "the aesthetic" and the "control theory". Because the mutual penetration of diversified development of the discipline and the interdisciplinary, the nature of the subject of music aesthetics Understanding not only as a discipline has its own category, and the domain and the research perspective is extended to the people and his culture, it will be the relationship between the part and the whole music aesthetics, in the framework of human culture to be recognized, to explore the relationship between the individual and general music aesthetics from the perspective of cultural philosophy. With the cultural philosophy to explore the basis for the existence of music phenomenon under the cultural background, value and significance. Multi discipline research of music aesthetics in the new period of diversified, the music aesthetics as the subject of the "I" properties continue to reduce and weaken, and the extension method of music aesthetics, making it more reference rich, but had to admit that the attribute of the subject itself has been the fact that perceptual and cultural values of different music phenomenon with abundant replaced.

【作者单位】：南京艺术学院音乐学院;
【基金】：2011年度江苏省教育厅高校哲学社会科学研究基金项目“20世纪中国音乐美学观念史研究”(项目编号:2011SJB760019)阶段性成果之一
【分类号】：J601

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