周杰伦流行音乐话语分析

发布时间：2018-03-24 01:03

本文选题：流行音乐　切入点：周杰伦　出处：《暨南大学》2014年硕士论文

【摘要】：流行音乐不仅是一个研究对象，更是一条理解社会的认知途径。音符是记录音乐的符号，，曲式调性是建构音乐的手段，声音是音乐的载体，而音乐真正的源泉是它的文化。文化是由特定的社会群体创造的想象和意义的集合，听众赋予流行音乐生命力和创造力，在流行音乐中得到自身文化身份的认同。本文将“流行音乐”定义为快速且直接反映社会形态的一种音乐类型，与社会发展息息相关。流行音乐是随社会关注焦点流转而进化的音乐表现形式和多维度的社会文化现象。本文以周杰伦流行音乐为个案，援引费尔克拉夫（Fairclough）的批判话语分析（Critical DiscourseAnalysis），以其“社会事件”（Social events）、“社会实践”（Social practices）、“社会结构”（Social steuctures）三层次为研究框架，通过对文本的分析与解读，探求流行音乐文本中的话语秩序，并探讨蕴藏于流行音乐背后的深层社会意涵。正文分为六个部分：第一部分是绪论。这部分提出论文所要研究的问题，对相关的研究文献进行综述，明确切入点；第二部分是研究设计与方法。对论文所应用到的“Fairclough批判话语分析”进行文献回顾及梳理；第三部分是社会事件层次。对周杰伦流行音乐作品进行文本分析；第四部分是社会实践层次，结合作品的分析，探究周杰伦流行音乐“现实与虚幻”的表达、“身份”的自我诠释以及后现代主义的表达；第五部分是社会结构层次。在这一层次中重新审视周杰伦流行音乐的消费文化，肯定了其作品带来的文化传承和族群想象。第六部分通过结论提升全文逻辑。笔者认为，周杰伦流行音乐丰富了听者的空间体验，在现实与虚幻之间给听者带来更多的“身份想象”；融入中国古典元素，强调了中华文化元素与当代华人生活的承继关系；号召“民族”精神，周杰伦流行音乐承载了全球华人的“族群想象”。
[Abstract]:Pop music is not only a research object, but also a cognitive way to understand society. Notes are the symbols to record music, musical tone is the means to construct music, and sound is the carrier of music. The real source of music is its culture. Culture is a collection of imagination and meaning created by specific social groups. The audience endows pop music with vitality and creativity, and obtains its own cultural identity in pop music. This paper defines "pop music" as a type of music that reflects social patterns quickly and directly. Pop music is a form of musical expression and a multi-dimensional social and cultural phenomenon that evolves with the focus of social attention. This paper takes Zhou Jielun pop music as a case study. Citing the critical discourses analysis by Felke Ralph Fairclougher, this paper uses the three levels of "social events", "social practice" and "social structure" as the research framework to explore the discourse order in popular music texts through the analysis and interpretation of the texts. And discusses the deep social meaning that lies behind the pop music. The text is divided into six parts: the first part is the introduction. The second part is the research design and method. It reviews and combs the literature of "Fairclough critical discourse Analysis" applied in the thesis, the third part is the level of social events, carries on the text analysis to Zhou Jielun's pop music works; The fourth part is the level of social practice, combined with the analysis of works, explore Zhou Jielun pop music "reality and fantasy" expression, "identity" self-interpretation and post-modernism expression; The fifth part is the level of social structure. In this level, we re-examine the consumption culture of Zhou Jielun's pop music, and affirm the cultural heritage and ethnic imagination brought by Zhou Jielun's works. The sixth part promotes the logic of the full text through the conclusion. Zhou Jielun's pop music enriches the listener's spatial experience, brings more "identity imagination" between reality and illusion, integrates Chinese classical elements, and emphasizes the inheritance relationship between Chinese cultural elements and contemporary Chinese life. Calling on the spirit of "nation", Zhou Jielun's pop music carries the "ethnic imagination" of Chinese people all over the world.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J605

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