沈阳蓬瀛宫道教仪式音乐研究

发布时间：2018-03-24 12:09

本文选题：斋蘸科仪　切入点：仪式音乐　出处：《沈阳师范大学》2014年硕士论文

【摘要】：道教是土生土长的中华民族自己的宗教，其出生在中国，生长在中国，实乃中华大地孕育的产物，人们更亲切的将它称为中国教。中国的道教历史悠久，其最初为远古时期的巫术，后发展为秦汉时期的方术，传说黄老道士是其教派前身。中国的道教音乐体系完备，风格独特，其仪式音乐在斋蘸科仪中起着重要的作用，目前全国的道教仪式音乐除使用全国通用的传统韵十方韵外，各地区在十方韵的基础上结合本地区语言音乐特色形成了具于本地区特色的地方韵，使全国的道教仪式音乐呈现出丰富多彩的景象。本文通过田野调查、深入访谈、个案分析等民族音乐学的研究方法对沈阳蓬瀛宫道教的历史沿革状况、蓬瀛宫道教仪式种类与仪式过程、蓬瀛宫道教仪式音乐东北新韵的使用情况、基本特点、东北新韵的传承等方面问题做了全面的考察与深入的研究。本论文共包括三个章节：第一章沈阳蓬瀛宫简介，通过笔者的实地调查主要针对沈阳蓬瀛宫道教历史沿革以及蓬瀛宫的宫观体制通过文字及图片说明的形式作系统的介绍。第二章沈阳蓬瀛宫蘸斋科仪程式及其仪式音乐的使用情况，主要针对沈阳蓬瀛宫每年进行的蘸斋科仪进行系统的分类、介绍蘸斋科仪内容，通过笔者的田野记录其两场仪式的全过程，展现其仪式进行的全貌。第三章沈阳蓬瀛宫蘸斋科仪音乐，主要针对蓬瀛宫道教仪式所使用的仪式音乐东北新韵进行记谱、以音乐学分析的方式对仪式用乐东北新韵进行全面系统的分析研究。通过本课题的研究，首先对沈阳蓬瀛宫进行简单的介绍说明；其次对沈阳蓬瀛宫蘸斋科仪及其仪式用乐情况进行系统的研究，使世人了解沈阳蓬瀛宫这座东北地区唯一一处坤道院及其仪式音乐的基本状况。最后对沈阳蓬瀛宫道教仪式音乐进行多方位的形态分析和研究，进一步探究东北新韵的特点以及其在仪式中的重要地位。就音乐界而言对道教仪式音乐东北新韵进行研究尚属首例，因此，对于东北新韵的音乐研究将会为中国民族民间音乐的多元化发展作出重要的贡献。同时，由于受当代文化的侵蚀，道教音乐的发展和运用已经成为一种夕阳产业，这样的研究有利于保护道教仪式音乐的继承与流传。
[Abstract]:Taoism is a native religion of the Chinese nation. It was born in China and grew up in China. In fact, it is the product of the earth of China. People call it the religion of China more affectionately. China has a long history of Taoism. It was originally a witchcraft of ancient times, and later developed into a recipe of Qin and Han dynasties. It is said that the Taoist Taoists in China were the predecessor of his sect. The Taoist music system in China was complete and its style was unique, and its ritual music played an important role in the Zhai Dip Ke Yi. At present, Taoist ritual music throughout the country, in addition to using the traditional rhyme of ten square rhymes commonly used in the whole country, has formed a local rhyme with its own regional characteristics on the basis of the ten aspects of rhyme and combined with the local language and music characteristics of the region. So that Taoist ritual music in the country presents a rich and colorful scene. Based on field investigation, in-depth interviews and case studies, this paper analyzes the historical evolution of Feng Ying Gong Taoism in Shenyang, as well as the types and ritual processes of Feng Ying Gong Taoism. This thesis includes three chapters: chapter 1, introduction to Shenyang Feng Ying Gong, the use of Northeast New Rhyme, basic characteristics, inheritance of Northeast New Rhyme, etc. Through the author's field investigation, the author mainly introduces the historical evolution of Feng Ying Gong Taoism in Shenyang and the palace temple system of Feng Ying Gong in the form of text and picture explanation. Chapter 2: Shenyang Feng Ying Gong Dipping in Ramadan and its instrument. The use of music, Aiming at the systematic classification of the dipping device of Ramadan carried out by Feng Ying Gong in Shenyang every year, the content of the dipping device is introduced, and the whole process of its two ceremonies is recorded through the author's field. Chapter 3: Shenyang Feng Ying Gong dipping in Ramaike instrument music, mainly aiming at the northeast new rhyme of the ritual music used by Feng Ying Gong Taoist ceremony. In the way of musicological analysis, a comprehensive and systematic study on the ritual music northeast new rhyme is carried out. Through the research of this topic, first of all, a brief introduction to Shenyang Feng Ying Gong is given, and secondly, a systematic study of Shenyang Feng Ying Gong dipping in Ramadan and its ritual music is carried out. To make the world understand the basic situation of Shenyang Feng Ying Gong, the only Kun Taoist school in northeast China, and its ritual music. Finally, a multi-directional morphological analysis and study of Shenyang Feng Ying Gong Taoist ritual music is carried out. To further explore the characteristics of Northeast New Rhyme and its important position in ritual. As far as the music industry is concerned, it is the first case to study the Northeast New Rhyme of Taoist ritual Music, therefore, The research on the music of the new rhyme in Northeast China will make an important contribution to the diversified development of Chinese folk music. At the same time, due to the erosion of contemporary culture, the development and application of Taoist music has become a sunset industry. Such a study is conducive to protecting the inheritance and spread of Taoist ritual music.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J608

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