歌唱家阿拉坦其其格及其长调演唱艺术

发布时间：2018-03-24 12:56

本文选题：阿拉坦其其格　切入点：长调　出处：《内蒙古师范大学》2006年硕士论文

【摘要】： 本文采取声乐学的相关分析方法,结合民族音乐学的个案研究和文化变迁的相关理论,把研究对象置入到文化背景中的研究方法,采取通过个体来观照整体的研究思路,把个案探讨、事象分析与文化批评集为一体的多重视角,对著名长调歌唱家阿拉坦其其格的长调演唱艺术进行尽可能细致深入的研究。通过对阿拉坦其其格的成长、从艺道路以及艺术风格、演唱技艺的传承、积累过程的描述,把阿拉坦其其格长调演唱技法的积累和艺术风格的形成与她本人的艺术经历结合起来,进一步把它放置在建国以来特定的社会文化脉络当中,通过她对半个世纪以来蒙古族长调演唱艺术的专业化——舞台化历程进行尽可能全面的观照。文章着重在演唱技法、艺术风格以及文化背景彼此相联的三个层面上进行详细的探讨论述。论文中认为,阿拉坦其其格是蒙古族长调民歌阿拉善风格的杰出代表,同时也是建国后新时期专业——舞台型长调艺术的开拓者和成功的实践者。她融汇了传统与现代、民族与美声、长调与短调等多重因素的演唱风格,既是对传统的继承,也是对传统的改造和创新。这种艺术风格的形成与她个人的资质以及生活时代、学习经历、区域传统、文化环境休戚相关。可以说,阿拉坦其其格的演唱风格是在个人、家族、民族所负载的多重文化因素在跨越时空的碰撞交汇中形成的,它代表着蒙古族长调演唱艺术今后发展的一个方向。
[Abstract]:This paper adopts the relevant analysis method of vocal music, combined with the case study of ethnomusicology and the relevant theory of cultural change, puts the research object into the research method of the cultural background, and adopts the research thought of looking at the whole through the individual. From the perspective of case study, event analysis and cultural criticism, this paper makes as detailed and thorough a study as possible on the art of singing in the long tune of the famous long tune singer, Alatanqi, through the growth of the arattanqi. From the art road and artistic style, singing skills inheritance, accumulation process of description, the arattan long tune singing skills accumulation and the formation of artistic style with her own artistic experience, Further placed it in the specific social and cultural context since the founding of the people's Republic of China, and through her comprehensive reflection on the professionalization and stage process of the Mongolian long tune singing art in the past half century, the article focuses on singing techniques. The artistic style and cultural background are related to each other on three levels to discuss in detail. In this paper, it is believed that Alatanqig is an outstanding representative of the Mongolian folk song Alashan style in the long tune. At the same time, she is also a pioneer and a successful practitioner of the professional-stage long tune art in the new period after the founding of the people's Republic of China. It is also a transformation and innovation of tradition. The formation of this artistic style is closely related to her personal qualifications and life times, learning experience, regional traditions, and cultural environment. The multi-cultural factors supported by the nation are formed in the collision and intersection across time and space, which represents a direction of the Mongolian long tune singing art in the future.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616

【引证文献】