声乐艺术演绎中的表演学理论应用研究

发布时间：2018-03-28 17:30

本文选题：第一自我　切入点：感觉记忆　出处：《湖南师范大学》2006年硕士论文

【摘要】：文章提出把表演学理论应用到声乐演唱艺术中,认为歌唱者应该掌握表演学理论并运用在演唱中,定能获得有效的进步。文章分为三个方面论述:1.表演学理论应用在“演唱技能培育”之中;2.表演学理论应用在“声乐作品诠释"之中;3.表演学理论应用在“声乐表演实践”之中。第一章内容:把表演学理论中的“感觉记忆”“无实物练习”应用到声乐训练中;引述斯坦尼斯拉夫斯基对“第一自我”、“第二自我”的论述。表明其应用在演唱中的实用性。指出演唱是“感情”与“理智",“体验”与“表现”的矛盾统一过程。第二章内容:研究“声乐作品演绎能力”。1.运用“理解力”观察和分析音乐作品;2.运用“想象力”把握作品的感情和景象;3.运用“表现力”表现作品的内涵。第三章内容:培养演唱者的演唱风范,获得具有“灵性”的演唱。论述“放松”、“分寸感”、“交流”、“直觉”、“灵感”在声乐演唱中的应用。
[Abstract]:This paper puts forward the application of the theory of performing science to the art of vocal music singing, and holds that the singer should master the theory of performance science and apply it to singing. The article is divided into three parts: 1. The application of performance theory in the cultivation of singing skills. 2. The application of performance theory in the interpretation of vocal music works. 3. The application of performance theory in vocal music. Performance practice. The first chapter: the "feeling memory" in the theory of performance theory is applied to vocal music training. This paper quoted Stanislavsky's exposition of "the first self" and "the second self", and showed the practicability of its application in singing, and pointed out that singing is the contradictory process of "emotion" and "reason", "experience" and "expression". The second chapter: research on the deductive ability of vocal music works. 1. Using comprehension to observe and analyze music works 2.Using "imagination" to grasp the feelings and scenes of the works. 3. To use "expressive power" to express the connotation of the works. The third chapter discusses the application of "relaxation", "sense of measure", "communication", "intuition" and "inspiration" in vocal music singing.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J604.6

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