论雷哈尔轻歌剧《风流寡妇》的创作特征及演唱

发布时间：2018-03-30 17:35

本文选题：《风流寡妇》轻歌剧　切入点：创作特征　出处：《南京师范大学》2006年硕士论文

【摘要】：《风流寡妇》是雷哈尔的一部佳作，，是维也纳轻歌剧发展史上一座里程碑，是轻歌剧中的瑰宝。它从1905年首演至今一直是世界各大歌剧院经常上演的剧目。它揭开了维也纳轻歌剧银色时代的序幕，提高了舞蹈、民间音乐在轻歌剧中的地位，促使轻歌剧向风格多元化的道路上发展。本文主要从创作特征和演唱这两个角度来具体分析这部作品。首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。
[Abstract]:The Legend Widow is a masterpiece by Rahar, a milestone in the history of Vienna operetta, and a treasure in operetta.It was premiered in 1905 and has been a regular repertoire of the world's major opera houses.It opened the silver era of Vienna operetta, raised the position of dance and folk music in operetta, and promoted the development of operetta on the way of diversified style.This article mainly from the creation characteristic and the singing these two angles concrete analysis this work.First of all, from the life experience of Rahar, the social and cultural background of the era, the development of Viennese operetta to analyze the formation of the special characteristics of the creation of "the Widows of Wind"; secondly, from the rhythm, melody, orchestration,To analyze the creative characteristics of the works from the perspective of singing, apart from the rhythm, timbre, sentence and other aspects, the singing style of the works is particularly analyzed.It also makes a detailed analysis of one of the famous aria Vilija's songs, and compares operetta with opera from the perspective of singing, so that people can have a deeper understanding of the singing style of operetta.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616;J617.2

【引证文献】