关于世界扬琴大会在中国召开的几点思考

发布时间：2018-03-30 17:38

本文选题：扬琴　切入点：交流　出处：《山西大学》2013年硕士论文

【摘要】：扬琴这件世界性的乐器自明朝传入至今已有四百多年的历史,其发展经历了三个阶段：作为民间戏曲说唱音乐中的伴奏乐器；建国初期民族乐队中的常规乐器；改革开放后拥有从附小到研究生专业化的教学体系的乐器。中国扬琴从1991年的世界扬琴大会首次参演到2005年的第八届世界扬琴大会成功举办,中国扬琴艺术的发展已到了繁荣时期。在科技飞速发展的信息时代的大环境中,中外扬琴艺术在一次次碰撞与融合中成长着,“如何发展”是我们面临的共同问题。笔者通过对2005年世界扬琴大会首届在中国召开的情况的描述,分析和对比中西不同文化、地域背景影响下的扬琴的乐器制作、乐曲创作、演奏工具、演奏技法等方面的异同。针对中外扬琴交流对中国扬琴的影响,结合个人多年的扬琴学习经历,对未来扬琴艺术的发展提出的几点看法。
[Abstract]:The yangqin, a worldwide musical instrument, has a history of more than 400 years since it was introduced in the Ming Dynasty. Its development has experienced three stages: as an accompaniment instrument in folk opera rap music, as a conventional musical instrument in national bands in the early days of the founding of the people's Republic of China;After the reform and opening up, there is a professional teaching system of musical instruments from secondary school to graduate students.From the first performance of the World yangqin Congress in 1991 to the successful holding of the eighth World yangqin Congress in 2005, the development of Chinese yangqin art has reached a prosperous period.In the great environment of the information age with the rapid development of science and technology, the Chinese and foreign yangqin art is growing up in the collision and fusion time and time again. "how to develop" is the common problem we face.In view of the influence of Chinese and foreign yangqin exchange on Chinese yangqin, combined with individual learning experience of yangqin for many years, this paper puts forward some views on the future development of yangqin art.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J632.51

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