信息时代“世界音乐”的发展——以歌曲《忐忑》的成功为例

发布时间：2018-04-01 05:01

本文选题：信息时代　切入点：世界音乐　出处：《河南师范大学学报(哲学社会科学版)》2011年02期

【摘要】：以欧洲音乐系统为主的西方音乐体系在20世纪初已经发展到了极致,作曲家为了寻求突破,开始关注欧洲之外的世界各民族的音乐形式,并越来越多地将其运用到音乐创作与表演中。世界音乐就是融合了民族元素和现代元素而产生的一种不同于任何一个国家或民族的新音乐。世界音乐的最大特点就是融合了多元风格的音乐元素来迎合现代听众的需求,满足市场的需要。在网络上被评为"神曲"的由龚琳娜所演绎的一首在国际声乐界流行的无词歌《忐忑》就是这种颇具世界音乐风的创作。思考《忐忑》一曲成功的意义在于,只有借助信息时代网络传播的巨大平台,扎根在世界各民族音乐与现代科技这两块沃土中汲取营养,以真正具有民族特色的优秀创作与表演赢得观众和市场,世界音乐才有无限发展的可能,而多元文化理念指导下的音乐教育,也是世界音乐发展的坚实基础。
[Abstract]:In the early 20th century, the western music system, dominated by the European music system, had developed to the extreme. In order to find a breakthrough, composers began to pay attention to the music forms of the peoples of the world outside Europe. The world music is a kind of new music which is different from any country or nation. The greatest characteristic of the world music is the combination of national elements and modern elements. It's a mix of diverse musical elements to cater to the needs of the modern audience. Meet the needs of the market. Gong Lina's unsung song, a popular song in the world of vocal music, which was named "Shenqu" on the Internet, is the creation of this kind of world musical style. The significance of thinking about the success of a song "perturbed" lies in that. Only through the huge platform of network dissemination in the information age, can we take root in the fertile soil of national music and modern science and technology in the world, and gain the audience and the market with truly outstanding creations and performances with national characteristics. World music has the possibility of infinite development, and music education under the guidance of multiculturalism is also the solid foundation of the development of world music.
【作者单位】：河南师范大学音乐学院;
【分类号】：J607

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