《回望三十年》编者前言

发布时间：2018-04-01 16:17

本文选题：民族音乐学　切入点：学科　出处：《南京艺术学院学报(音乐与表演版)》2011年01期

【摘要】：回望30年前,在南京艺术学院召开首届全国"民族音乐学学术讨论会"上,诸多民族音乐学学科奠基者们所提交论文体现出他们具有深厚的中国传统"乐学"修养,非常重视细品和认知传统音乐本体构成奥妙,而论及民族音乐学学科构成及方法论的篇目不多。这种特征说明了:一、是当时国外的"民族音乐学"方法论还有待于逐渐在我国该领域内产生影响;二是民族音乐学在中国兴起和发展,具有特殊而不同于西方民族音乐学兴起的音乐历史传统和音乐文化背景。三是说明在中国音乐母体文化怀抱中兴起而成长起来的民族音乐学原理,应当是一种深刻的以中国传统音乐本体构成为中心而展开的新生学科理念和实践延伸,而不是一种忽视或忽略其中最具民族音乐学对象母体特征的非音乐文化本体论。
[Abstract]:Looking back 30 years ago, at the first National Symposium on Ethnomusicology, held at the Nanjing Academy of Art, many of the papers submitted by the founders of ethnomusicology showed that they had profound Chinese traditional "music learning" culture.Great importance is attached to fine taste and cognition of traditional musical Noumenon, but few articles discuss the subject structure and methodology of ethnomusicology.This characteristic shows that: first, the methodology of "ethomusicology" in foreign countries at that time has yet to be gradually influenced in this field of our country; second, the rise and development of ethomusicology in China.It has a special historical tradition and background of music culture, which is different from the rise of western ethnomusicology.The third is to explain that the principle of ethnomusicology, which has grown up in the embrace of Chinese music mother culture, should be a profound extension of the concept and practice of a new discipline, centered on the composition of traditional Chinese music.It is not a non-musical cultural ontology that ignores or neglects the most characteristic of the object of ethnomusicology.
【作者单位】：南京艺术学院音乐学院;
【分类号】：J607

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