18世纪上半叶意大利正歌剧咏叹调研究

发布时间：2018-04-01 17:12

本文选题：正歌剧　切入点：咏叹调　出处：《上海音乐学院》2006年博士论文

【摘要】：18世纪的意大利正歌剧是在社会政治、文化生活的要求下，在新古典主义文学思潮和阿卡狄亚学会的推动下，在音乐人才和文学人才聚集的作用下兴盛起来的。在这些条件中成长起来的正歌剧具有严肃的情节，高贵的历史题材，和以咏叹调为中心的音乐特征：其戏剧的本质是展现真正的人生悲剧，是专门为音乐而作的戏剧。正歌剧的观念决定了咏叹调的功能。正歌剧咏叹调最重要的功能是表达情感，而不是塑造人物形象。这个功能决定了其音乐的风格特征：人声具有绝对统治的地位；装饰具有与旋律平等的作用：咏叹调的返始结构是在对比之后实现情感的升华。咏叹调的这些风格特征反映了正歌剧传达悲剧精神，，表达情感的戏剧观念。在一定历史条件、文艺思潮中产生的音乐体裁体现了它的社会功能；这种音乐体裁特有的规范和准则是为了实现自己的社会功能而产生。正歌剧兼具教诲和娱乐功能的特性，决定了咏叹调的抒情性和装饰性风格特征。正歌剧和咏叹调的衰落从本质上是其社会功能丧失的体现。
[Abstract]:The Italian opera of the 18th century was driven by the trend of neoclassical literature and the society of Acadia under the requirements of social politics and cultural life. The opera, which has grown up in these conditions, has serious circumstances and noble historical themes. The essence of the drama is to show the true tragedy of life and the drama specially for music. The concept of opera determines the function of arias. The most important function of arias in opera is to express emotion rather than to portray characters. This function determines the style of its music: the voice has the absolute dominant position; Decoration plays an equal role with melody: the recurrent structure of arias is to realize the sublimation of emotion after contrast. These style features of arias reflect the tragic spirit of opera and the dramatic concept of expressing emotion. Under certain historical conditions, the genre of music produced in the trend of thought in literature and art embodies its social function; the norms and norms peculiar to this genre of music are produced for the realization of its own social function. Opera has the characteristics of both teaching and entertainment. The lyricism and decorative style of arias are determined. The decline of opera and arias is essentially a reflection of the loss of its social function.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J609.546

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