桑桐《民歌主题钢琴小曲九首》和声探究

发布时间：2018-04-17 23:07

本文选题：桑桐 + 民歌主题　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：桑桐（1923年——2011年），中国著名的音乐理论家、教育家、作曲家，尤其在和声教学与研究领域享有极高的声誉。他在教学研究之余，不断探索如何在实际音乐创作中将中国音乐元素与先进的西方近现代作曲技法相结合，创作出许多具有民族风格的专业音乐作品。《民歌主题钢琴小曲九首》创作于1992年，是桑桐先生钢琴音乐创作的最后一部作品，，作品中运用了大量的中国的五声纵合性和弦及西方近现代和声等作曲技法，可以说它是桑桐钢琴创作的一个缩影，同时这部作品也代表了桑桐先生向大众传递出的他在民歌主题小曲钢琴改编中的音乐创作思想。本文选择以和声的视角，分别从“调式调性思维”、“和弦结构形态”、“和声进行”这三个方面对九首钢琴小曲进行分析与研究，其中包括终止式的处理、复调因素及伴奏织体的运用等内容。论文第一章从调式调性布局特点出发，分析九首小曲中出现的不同的调式、调性呈现手法及转调方式等。第二章是从和弦材料构成的角度进行分析，从九首小曲中选出不同性质的、具有代表性的和弦构成形态进行研究，看桑桐先生是如何针对不同的民歌特点选用不同性质的和弦材料进行改编的。第三章是对作品中和声进行手法的探析，通过民族风格的功能和声进行、和声的线性运动、终止式的处理、不同形式的伴奏织体等方面分析，从而总结出桑桐先生是如何将古典功能和声、西方近现代作曲技法与中国五声性和声相结合，将民歌小曲借用西方乐器钢琴进行阐释的。结论是对前三章内容进行的梳理与总结，通过以上层面的分析，从中总结桑桐在《民歌钢琴小曲九首》中所运用的和声技法及创作思维，探索桑桐先生是如何在民歌主题钢琴音乐创作中将西方传统和声、近现代和声与中国民族调式旋律相结合，进而创作出具有独特东方韵味的新国乐的。
[Abstract]:Santong ( 1923 _ 2011 ) , famous music theory house , educator , composer , especially in the field of sound teaching and research , enjoys a very high reputation .

This paper chooses to analyze and study the nine piano pieces from three aspects of " adjustable thinking " , " harmony string structure form " , " and sound " from the perspective of harmony , including the treatment of termination , the factors of rehabilitation and the application of accompaniment .

In the first chapter , we analyze the different kinds of adjustment , tonal rendering and transfer mode in the nine small songs from the characteristics of the adjusting and adjusting layout .

In the second chapter , from the angle of the composition of the chord material , we select different kinds of chord composition from nine small songs , and look at how Mr . Santong chose different kinds of chord materials for different folk songs .

In the third chapter , the author makes an analysis of the techniques of the works and the sound , through the function and sound of the national style , the linear movement of the sound , the processing of the termination type , the accompaniment of different forms and so on , so as to summarize how to combine the classical function and the sound , the western modern composing techniques and the Chinese five voices and the sound , and use the folk song Xiaoqu to borrow the western musical instrument piano .

The conclusion is to summarize and summarize the contents of the first three chapters . Through the analysis of the above aspects , the author sums up the sound techniques and creative thinking of Santong in the nine poems of the Piano Music of Folk Songs , and explores how to combine the western tradition and the sound , modern and sound with the Chinese national style melody in the music creation of the theme of folk songs , and then create a new national music with unique oriental flavor .

【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614;J624.1

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