20世纪80、90年代“新潮音乐”评论研究

发布时间：2018-04-18 20:11

本文选题：“新潮音乐” + 音乐创作　；参考：《沈阳音乐学院》2014年硕士论文

【摘要】：20世纪“改革开放”以后，随着国门的打开，西方现代作曲技法也随之进入中国，使得国内很多作曲家进行创作时都进行借鉴和采纳，从而掀起了一股“新潮”流行风。而随着音乐创作的繁荣，，音乐评论界也开始活跃起来，本文搜集了相关期刊、著作以及网络等刊载的关于“新潮音乐”的评论文章，通过文章对于“新潮音乐”的创作方法、创作题材以及受众面、与传统是否碰撞等方面进行的评论总结出20世纪80年代后音乐评论界整体的评论方法以及评论水平，进而对此进行一定的论述和研究。
[Abstract]:After the "reform and opening up" in the 20th century, with the opening of the country, the western modern composing techniques also came into China, which made many domestic composers use for reference and adopt when they created, thus set off a "new trend" fashion.With the prosperity of music creation, the music critics are also beginning to become active. This paper collects relevant journals, works and network articles on "trendy music", and through the article on "trendy music" writing methods.The comments on the theme of creation and whether they collide with tradition or not sum up the whole comment method and level of music criticism since 1980s, and then discuss and study it to a certain extent.
【学位授予单位】：沈阳音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J609.2

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