20世纪后半叶中国钢琴音乐的民族化特色研究

发布时间：2018-04-20 11:41

本文选题：钢琴音乐 + 民族风格　；参考：《河北师范大学》2014年硕士论文

【摘要】：中国钢琴音乐的创作在20世纪50年代以后，，达到了一个空前繁荣的时期，在与西方音乐的不断碰撞与交流中，逐渐形成了自己独特的民族风格。而这种民族风格，主要体现在两个方面，一是在中国钢琴音乐的创作思想上，二是中国钢琴音乐的艺术特点上。在创作思想上，中国作曲家力图用钢琴这种艺术形式来表现中国人的思想情感，创作具有民族气质的作品，这些都可在题材内容、构思原则等方面得到证实。在艺术特点上，主要是反映在旋律的艺术特点、多声思维的艺术特点、曲式结构的艺术特点、钢琴技巧的艺术特点等几个方面。作曲家在创作时，在这几个方面都做了刻意的安排，增加和丰富了民族风格。从创作发展的角度上看，用具有民族特点的旋律、多声思维，曲式结构和钢琴技巧来创作具有民族风格的作品，也正符合了形式服从内容这一艺术创作原则的。
[Abstract]:Since the 1950s, the creation of Chinese piano music has reached an unprecedented prosperous period. In the continuous collision and communication with western music, Chinese piano music has gradually formed its own unique national style. This kind of national style is mainly embodied in two aspects, one is in the Chinese piano music creation thought, the other is the Chinese piano music artistic characteristic. In terms of creative thoughts, Chinese composers try to use piano as an artistic form to express Chinese thoughts and feelings, and to create works with national temperament, which can be confirmed in terms of subject matter content, conception principles and so on. In terms of artistic characteristics, it is mainly reflected in the artistic characteristics of melody, multi-tone thinking, musical structure, piano skills, and so on. Composers in the creation, in these aspects have made deliberate arrangements to increase and enrich the national style. From the point of view of the development of creation, the use of melody with national characteristics, multi-tone thinking, musical structure and piano skills to create works with national style, is also in line with the form of service from the content of the artistic creation principle.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

【参考文献】