蒙古族音乐元素在李镇竹笛作品创作中运用
发布时间:2018-04-22 01:26
本文选题:蒙古族音乐元素 + 创作与演奏特点 ; 参考:《音乐创作》2015年05期
【摘要】:在广阔无垠的内蒙古大草原,蒙汉族音乐相互交融,而且运用广泛。其中蒙古族音乐的特点和演唱(奏)技巧,二人台音乐的特点及其演奏特点,在李镇竹笛作品得到了广泛的运用。这些作品,无不体现出对广阔无垠的内蒙古大草原和憨厚纯朴的蒙古族人民的深厚情缘,以及对草原和草原人民的赤诚爱心,折射出歌颂和赞美蒙古族人民的豪爽、彪悍、豁达以及美丽富饶、迷人大草原的"草原情怀"。
[Abstract]:In the vast Inner Mongolia prairie, Mongolian and Han music intermingled and was widely used. Among them, the characteristics of Mongolian music and singing (playing) skills, the characteristics of two-person Taiwan music and its playing characteristics, have been widely used in Li Zhen's bamboo flute works. All of these works reflect the deep affection for the vast inner Mongolia prairie and the simple and honest Mongolian people, and the sincere love for the grasslands and the people of the grasslands, reflecting the praise and praise of the Mongolian people for their bravery and fervor, Open-minded and beautiful and rich, charming prairie, the "prairie feelings."
【作者单位】: 集宁师范学院音乐系;
【分类号】:J632.11
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本文编号:1785000
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