浅谈拉美吉他音乐家布拉威尔与《舞蹈礼赞》

发布时间：2018-04-22 20:28

本文选题：拉美吉他音乐 + 布拉威尔　；参考：《中央音乐学院》2014年硕士论文

【摘要】：1492年以后西班牙殖民者带来了吉他,它所特有的音色和便于携带的特点为拉美人民所喜爱,从此这门乐器便与整个拉丁美洲紧密地联系在一起。拉美地区涌现出许多伟大的作曲家,如巴西的维拉·罗伯斯、墨西哥的庞塞、委内瑞拉的拉罗、阿根廷的皮亚佐拉等等,他们都曾或多或少地为吉他谱曲。在他们中间有一位以吉他为主要创作对象的作曲家,他就是古巴的布拉威尔。布拉威尔既是作曲家又是演奏家,他赋予了吉他新的生命,将欧洲先进的作曲技术和古巴的民间音乐完美的融合在一起,充分发挥了吉他本身的特点,提高了吉他在音色、音乐上的表现力,创作了大量的优秀作品,提升了吉他的国际影响力,为推动吉他的发展做出了巨大的贡献。本文从讲述吉他在拉丁美洲的历史和地位入手,以古巴吉他作曲家布拉威尔为主要研究对象,以他的代表作《舞蹈礼赞》为例,详细地讲述和解读布拉威尔吉他作品的创作风格和技术特点。全文共分四章,内容主要在第二、第三章,又以第三章为重中之重。从宏观到具体地分析布拉威尔三个时期吉他创作的创作背景、作品风格、惯用手法、演奏技巧等等,并以《舞蹈礼赞》为例重点分析这几个方面,力求客观真实地表现作曲家的细节特点和主导思想,体现他对整个吉他音乐所作的突出贡献和重要影响。第一章中讲述吉他与拉美音乐的历史关系和地位,体现吉他在拉丁美洲的本土化和多元化、重要性和民族性。第二章主要分为两个部分,第一部分概述布拉威尔四个时期的生平经历,以此引出第二部分对作曲家三个时期主要的吉他作品的介绍与探究。同时,强调布拉威尔在吉他协奏曲上的特殊成就。第三章是对布拉威尔代表作品《舞蹈礼赞》从曲式、节奏、节拍、旋律、和声五个方面深入细致地分析,说明作曲家的音乐特点和常用手法,由此体现布拉威尔在吉他音乐上的高超造诣,以及对吉他的演奏技巧、音乐表现力等多个方面的提升。第四章综合上文所述,强调布拉威尔对吉他音乐的贡献和成就,以及他在拉美音乐中的地位和影响。
[Abstract]:After 1492 the Spanish colonists brought the guitar, its distinctive timbre and portability were popular among the Latin American people, and since then the instrument has been closely linked to the whole of Latin America. Great composers have sprung up in Latin America, such as Vera Robles of Brazil, Ponce of Mexico, Larro of Venezuela, Piazola of Argentina and so on. Among them was a composer whose main object was guitar. He was Bravell of Cuba. Bravell is a composer as well as a performer. He gives a new life to the guitar. He combines advanced European composing techniques with Cuban folk music perfectly, giving full play to the characteristics of the guitar itself and improving the sound of the guitar. The performance of music has created a large number of excellent works, enhanced the international influence of guitar, and made a great contribution to the development of guitar. This paper begins with the history and status of guitar in Latin America, taking Cuban guitar composer Bravel as the main research object, and taking his masterpiece, Dance praise, as an example. Detailed description and interpretation of Bravell guitar works of the creative style and technical characteristics. The full text is divided into four chapters, mainly in the second and third chapters, and the third chapter as the most important. From macroscopic to concrete analysis of the background, style, techniques, performance techniques and so on of Bravell's three periods of guitar creation, and take "Dance praise" as an example to analyze these aspects. The author tries to represent the detailed characteristics and leading thoughts of the composer objectively and truly, and to reflect his outstanding contribution and important influence to the whole guitar music. The first chapter describes the historical relationship and status between guitar and Latin American music, reflecting the localization and diversity, importance and nationality of guitar in Latin America. The second chapter is mainly divided into two parts. The first part is an overview of the four periods of Braswell's life experience, thus leading to the second part of the composer's three periods of the introduction and exploration of the main guitar works. At the same time, it emphasizes Bravell's special achievements in guitar concerto. The third chapter is a thorough and detailed analysis of Bravell's representative work "Dance praise" from five aspects: form, rhythm, rhythm, melody, harmony, to explain the composer's musical characteristics and common techniques. This reflects Bravell's superb achievements in guitar music, as well as the guitar playing skills, musical performance and other aspects of the improvement. Chapter four summarizes the above and emphasizes Bravell's contribution and achievement to guitar music and his position and influence in Latin American music.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J605

【共引文献】