肖邦谐谑曲研究

发布时间：2018-04-22 22:03

本文选题：肖邦 + 谐谑曲　；参考：《上海音乐学院》2006年硕士论文

【摘要】：肖邦对音乐体裁的贡献是独一无二的，他所创作的四首独立的谐谑曲是对谐谑曲体裁的发展和革新，它们已很少诙谐性格留下，而都是大型的戏剧性作品，，可以说，谐谑曲在肖邦的手上达到了顶峰。同时谐谑曲是肖邦音乐创作中非常重要也非常特殊的一个侧面，通过考察谐谑曲的风格特征可以更为完整地理解肖邦音乐语言的总体风格特征。在第一章绪论中，首先介绍了谐谑曲的历史发展脉络，考察了谐谑曲的风格演变过程。然后从肖邦谐谑曲入手，介绍了肖邦谐谑曲的历史背景与总体风格特征。在第二章音乐要素分析中，首先从旋律入手，一方面分析了肖邦谐谑曲旋律的总体特征，另一方面分析了肖邦谐谑曲旋律的发展手法。然后从和声入手，分析了肖邦谐谑曲中和声进行的几种主要特点。通过这两个音乐要素的分析，来进一步了解肖邦谐谑曲旋律与和声的总体风格特征。在第三章结构分析中，首先从“三部性”与“非三部性”入手，具体分析了四首谐谑曲的曲式结构，然后分析了四首谐谑曲从主部到尾声的各个段落的具体功能，最后分析了谐谑曲的总体结构布局。通过这样的分析，对肖邦谐谑曲段落安排的丰富性和结构的多解性有一个较为深入的了解。在第四章中，运用了美国著名音乐美学家、理论家伦纳德·迈尔所创立的音乐感知分析的理论，从音乐感知角度入手，对肖邦创作的第三首谐谑曲进行了较为细致的音乐分析。通过这样的分析，验证了以上音乐形式分析得出的结论，进一步从感性和理性上对肖邦谐谑曲的风格特征有了一个更为深入的理解和认识。总之，肖邦谐谑曲在前人的基础上，创立了自己独特的谐谑曲音乐语言风格特征，为谐谑曲体裁的发展作出了重要贡献。
[Abstract]:Chopin's contribution to musical genres is unique. His four independent banqueos are the development and innovation of the genre. They have rarely been left behind by witty characters, but they are all large-scale dramatic works, so to speak. Scherzo reached its peak in Chopin's hands. At the same time, Scherzo is a very important and special aspect in Chopin's music creation. In the first chapter, the author introduces the historical development of Scherzo and examines the evolution of Scherzo style. Then from Chopin Scherzo, introduced the historical background and overall style of Chopin Scherzo. In the second chapter, we analyze the overall characteristics of Chopin's Scherzo melody and the development of Chopin's Scherzo melody. Then it analyzes the main characteristics of harmony in Chopin's Scherzo. Through the analysis of these two musical elements, we can further understand the overall style characteristics of Chopin's melodies and harmonies. In the third chapter, the author starts with "three parts" and "non-trilateralism", then analyzes the structure of four Scherzo forms, and then analyzes the specific functions of each paragraph of the four Scherzo from the main part to the end. Finally, the overall structure of Scherzo is analyzed. Through this analysis, we have a deeper understanding of the richness of Chopin's Scherzo paragraph arrangement and the diversity of its structure. In the fourth chapter, using the theory of music perception analysis founded by Leonard Mayer, a famous American music aesthetician, the third Scherzo by Chopin is analyzed in detail from the perspective of music perception. Through this analysis, the conclusion of the above music form analysis is verified, and a deeper understanding and understanding of the style characteristics of Chopin's Scherzo is obtained from the perspective of sensibility and rationality. In a word, Chopin Scherzo created its own unique style of musical style on the basis of predecessors, and made an important contribution to the development of Scherzo genre.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614

【引证文献】