汉乐府音乐性研究
发布时间:2018-04-23 02:29
本文选题:礼乐 + 汉乐府 ; 参考:《南京师范大学》2005年硕士论文
【摘要】:汉乐府是战国至秦汉雅乐衰微、俗乐逐渐发展的产物。论文以乐府的音乐性为角度,从礼乐的源流与衍变入手,阐明礼乐在上古先秦时代的重要地位以及后世地位的变化。礼乐在先秦社会的日常生活中起着重要作用,特别是在政治,教育中扮演着主要的角色,可到后世特别是汉以后,音乐让位于文字,礼教、乐教让位于诗教,音乐逐渐由正统变为陪衬走向下层。具体表现为雅乐的衰微,俗乐的兴盛,这对后世音乐文学的发展产生了非常重大的影响,汉乐府在这个变化中,起着枢纽的作用。 乐府诗与音乐的密切关系表现在众多方面。音乐上的沿革必然会影响其歌辞句式的变化,乐府诗大多是先有声后有辞,辞的创作必须要根据音乐的变化而变化,其表现就是词汇的停顿造成节奏上的变化。那么,从《诗经》较多整齐的四言,《离骚》以六言居多,一直到乐府以杂言为主其中又包含一些比较整饬的句式,曲调的变化应是其中一个比较大的原因,因此曲调成为了一个重要的参照物。本文主要对乐府诗音乐形式问题进行了探讨和论述,阐述了曲调与曲名的关系,曲调与表现题材之间的关系,乐府与说唱文学的关系,强调了曲调、句式的变化所蕴涵的音乐变革,试图从音乐性这一角度揭示乐府作为中国古代一种重要诗歌样式的特性。
[Abstract]:Han Yuefu was the product of the gradual development of folk music and the decline of elegant music from warring States to Qin and Han dynasties. From the point of view of musical nature of Yuefu, from the origin and evolution of ritual music, this paper expounds the important position of ritual music in the ancient pre-Qin period and the change of its later status. Etiquette and music played an important role in the daily life of pre-Qin society, especially in politics and education. In later generations, especially after the Han Dynasty, music gave way to writing, etiquette and music education to poetry teaching. Music gradually changed from orthodoxy to underworld. Specifically, the decline of elegant music and the prosperity of popular music had a great impact on the development of music literature in later generations. Han Yuefu played a pivotal role in this change. The close relationship between Yuefu poetry and music is manifested in many aspects. The evolution of music will inevitably affect the changes of the sentence patterns of its songs. Most of the poems of Yuefu are composed by the changes of the music, and the changes of the rhythm are caused by the pause of the vocabulary. Well, from the more neat four words in the Book of songs, and the fact that Li Sao is in the majority of six words, until Yuefu is dominated by miscellaneous words, which also contains some more neat sentence patterns, the change in tune should be one of the major reasons for this. So the tune became an important reference. This paper mainly discusses the musical form of Yuefu poetry, expounds the relationship between tune and title, the relationship between melody and performance theme, the relationship between Yuefu and the literature of saying and singing, and emphasizes the tune. The musical change implied by the change of sentence structure attempts to reveal the characteristics of Yuefu as an important poetic style in ancient China from the perspective of musicality.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:J609.2
【引证文献】
相关硕士学位论文 前6条
1 张靖;西汉昭宣时期乐府研究[D];广西师范学院;2010年
2 蒋宁;齐梁音乐制作与文人乐府创作[D];上海师范大学;2011年
3 崔建荣;曹植乐府“乖调”研究[D];漳州师范学院;2011年
4 崔帅;南北朝乐府中的联绵词比较[D];渤海大学;2012年
5 董晓;乐府制度演变与东汉乐府诗[D];河北师范大学;2013年
6 王晋妮;黑格尔音乐美学思想之词乐关系论研究[D];上海师范大学;2013年
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