从蒙古四胡的发展历史观蒙古四胡的艺术表现力

发布时间：2018-04-26 05:27

本文选题：蒙古四胡 + 历史　；参考：《内蒙古师范大学》2006年硕士论文

【摘要】： 本文是从蒙古四胡的发展历史及其演变过程,对蒙古族传统乐器之一胡兀日,在艺术表现力方面的各个角度进行阐述。内容包括:(1)蒙古四胡的历史寻踪及其古代北方少数民族乐器,奚琴与稽琴、马尾胡琴与胡兀日、提琴与四胡的形成;(2)蒙古四胡的国内外流布情况和蒙古低音四胡、中音四胡以及高音四胡的乐器制作形制和表现特点;(3)蒙古四胡与蒙古族传统曲目胡仁·乌力格尔、胡仁·好来宝及其民间音乐中的作用,传播以及普及作用;(4)在蒙古族民间乐队中,中音四胡的不可磨灭的关系;(5)蒙古四胡的风格流派、演奏家、作曲家以及蒙古四胡独奏曲的作品分析;(6)蒙古四胡的近几年来的状况以及未来的发展前景。
[Abstract]:This article is from the Mongolian four Hu development history and the evolution process, carries on the elaboration to the Mongolian traditional musical instrument Hu Uri, in the artistic expression aspect each angle carries on the elaboration. The contents include: 1) Historical tracing of Mongolian Sihu and its ancient musical instruments of northern minority nationalities, Xi Qin and Ji Qin, horsetail Hu Qin and Hu Uri, formation of violin and Hu Hu, and 2) the domestic and international distribution of Mongolia Sihu and the Mongolian bass four Hu. The forms and characteristics of the musical instruments of the four Hu and the four Hu Hu) the role of the Mongolian Sihu and the Mongolian traditional music, Hu Ren, Hu Ren, Haolaibao, and their folk music, In Mongolian folk bands, the indelible relationship of the baritone Sihu is the style of the Mongolian Sihu. An Analysis of the works of Mongol Sihu Solata. (6) the situation and prospects of Mongolian Sihu in recent years.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J632.23

【引证文献】