黄自艺术歌曲中钢琴伴奏的和声民族化的探索

发布时间：2018-04-30 08:38

本文选题：黄自 + 西方大小调和声体系　；参考：《福建师范大学》2006年硕士论文

【摘要】：20世纪初叶，伴随着“西学东渐”的风潮，西方的音乐技术及理论在我国的音乐创作中崭露头角，作为该时期最重要的作曲家、教授及学者之一的黄自，以一个拓荒者的姿态把西方的作曲技术运用于我国民族音乐的创作，将发展民族音乐的理想付诸于创作实践，通过其数量众多的艺术歌曲的创作，为我国和声民族化的探索积累了丰富的经验；在他的音乐创作中，，“精致、简练、流畅、工整的优点”，不拘泥于既成技法而注重风格的塑造，在民族化手法的创新运用中不脱离音乐内涵的表述等特点至今仍是音乐工作者学习的范本。
[Abstract]:In the early twentieth Century, with the trend of "Western learning eastward", western music technology and theory emerged in the music creation of our country. As one of the most important composers, professors and scholars of the period, Huang Zi, with a pioneer's attitude, applied western composing technology to the creation of national music in our country, and will develop national music. The ideal is put into practice and has accumulated rich experience for the exploration of Chinese harmony nationalization through the creation of a large number of artistic songs. In his music creation, "exquisite, concise, fluent, and neat", not rigidly adhere to the existing techniques and pay attention to the molding of the wind, and do not break away from the innovative application of the nationalization technique. The expression of music connotation is still a model of music learning.

【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1

【引证文献】