当代流行歌曲的情爱叙事研究

发布时间：2018-04-30 11:34

本文选题：流行歌曲 + 情爱叙事　；参考：《湖南科技大学》2013年硕士论文

【摘要】：流行歌曲作为大众文化的一种，不仅反映了社会观念和生活方式的变化，同时也记录了中国人在各个时代的情感走向。因此，对流行歌曲的情爱叙事的研究具有很大的必要。本文以改革开放三十多年以来的流行情歌为研究文本，通过对80、90、新世纪三个时代情歌历史进程的梳理，，发现人们情爱表达经历由含蓄纯真、具体现实到多元复杂的变化。而从叙事要素上看，当代流行歌曲的情爱叙事具有较强的故事性，其叙事视角包含异性恋视角和同性恋视角两种。而流行歌曲的叙事主体使用频率也经历了由“我们”到“我”的变化。整体观照当代流行歌曲的情爱叙事，它的一个重大价值就在于使青年人找到了表达爱情的一种方式或渠道。而其文本呈现的价值取向可以分为爱情至上式、旧情不忘式、为爱坚持式、爱情游戏式、爱情物化式、爱情情欲式。
[Abstract]:Pop songs, as a kind of popular culture, not only reflect the change of social concept and life style, but also record the emotional trend of Chinese people in various times. Therefore, it is necessary to study the love narration of pop songs. This paper takes the popular love songs since the reform and opening up for more than 30 years as the research text, through combing the historical process of the love songs of the three times in the new century, and finds that the expression experience of people's love has changed from the implicative innocence, the concrete reality to the multivariate complex change. From the point of view of narrative elements, the love narrative of contemporary pop songs has a strong narrative, its narrative perspective includes heterosexual perspective and gay perspective. The frequency of the narrative subject of pop songs has changed from "We" to "I". One of the great values of the love narrative of contemporary pop songs is that it enables young people to find a way or channel to express their love. The value orientation of the text can be divided into love first, old love not forgotten, love persistence, love game, love materialization, love lust.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J605

【参考文献】