乌珠穆沁宴会歌曲文化研究

发布时间：2018-04-30 20:35

本文选题：乌珠穆沁 + 宴会歌曲　；参考：《内蒙古大学》2013年博士论文

【摘要】：内容摘要本文在乌珠穆沁丰富的地方史料文献和自己多次田野调查、口述访谈资料的基础上,较系统的研究了做为文化的乌珠穆沁地方宴会歌曲。对宴会歌曲与语境、口传文本与文化表演、相关地方性知识系统、宴礼与宴歌的结构、程式与传承机制等方面进行了较为深入的探讨。在导论部分阐明了选题目的、研究范围、资料来源、研究方法和前期研究成果等内容。第一章阐述了乌珠穆沁宴会歌曲与宏观语境的关系。通过梳理研究地方文献和相关资料,分析了宴会歌曲与当地自然环境、生活方式、社会制度与结构、信仰、民俗习惯等语境的关系,认为宴会歌曲及宴歌程式从生成构建、艺术特点到演唱程序、层次结构、相关礼仪、符号意义等内涵,都与相关语境紧密相连,并认为宏观语境和宴礼习俗是形成蒙古族民歌丰富资源和相关文化的内在动因。第二章探究了宴会歌曲与微观语境的关系。本章主要通过笔者在东、西两个乌珠穆沁旗参与观察的六次田野资料,对婚礼、祝寿、祭祀仪式及宴会进行深度描写,分析了宴会歌曲口头文本在微观语境中形成过程和文化意义。第三章探讨了宴会歌曲相关的“地方性知识”。本章通过与“文化持有者”进行大量访谈而获得的专题采访与口述史资料,分析关于宴会歌曲的地方记忆、认识观念和礼仪习俗,并认为地方性知识是解释文化的根本途径。第四章主要依据和使用“口头程式”和“文化表演”、“结构主义”等理论视角,分析宴会习俗、宴歌体系和口头文本的结构程式、表演机制和互文规律,对宴会歌曲在当今语境下的传承和传播提出了自己的见解。总结：包括乌珠穆沁在内,蒙古族宴会歌曲是在特定自然社会语境中生成的“作为交流的口头艺术”,有完整的知识体系,意义系统和表达模式。在当今传统社会变迁和全球化语境下,应该整体研究其生成机制和传承规律,保护文化原有生态、并探索新的延续模式,保证人类非物质文化遗产的多样性存在。
[Abstract]:Based on the abundant local historical documents and many field investigations and oral interviews, this paper systematically studies the local banquets as a culture. This paper probes into banquet songs and context, oral texts and cultural performances, relevant local knowledge systems, the structure of banquets and banquet songs, the procedure and inheritance mechanism, and so on. In the introduction part, the purpose, research scope, data sources, research methods and previous research results are explained. The first chapter expounds the relationship between Wuzhoumuqin banquet songs and macro context. By combing the local literature and related materials, this paper analyzes the relationship between banquet songs and local natural environment, lifestyle, social system and structure, beliefs, folk customs, etc. The artistic characteristics to singing procedure, hierarchy structure, related etiquette, symbolic meaning and other connotations are closely related to the relevant context, and think that the macro context and the custom of banquet ceremony are the internal reasons for the formation of rich resources and related culture of Mongolian folk songs. The second chapter explores the relationship between banquet songs and micro context. This chapter mainly through the author in the east and west two Wudhumuqin Banner to participate in the observation of six field materials, to the wedding, birthday, sacrificial ceremonies and banquets for in-depth description, This paper analyzes the formation process and cultural significance of oral text of banquet songs in micro context. The third chapter discusses the local knowledge of banquet songs. This chapter analyzes the local memory of banquet songs, understands the concepts and customs, and points out that local knowledge is the fundamental way to explain culture through a large number of interviews with "cultural holders". The fourth chapter analyzes the banquets customs, the system of banquets and the structure of the oral texts, the performance mechanism and the intertextuality from the perspectives of "oral formula" and "cultural performance", "structuralism" and so on. This paper puts forward his own views on the inheritance and dissemination of banquet songs in the present context. Summary: including Wuzhoumuqin, Mongolian banquet songs are "oral art of communication" generated in a specific natural and social context, with a complete knowledge system, meaning system and expression mode. In the context of the traditional social changes and globalization, it is necessary to study the mechanism of its formation and inheritance, protect the original ecology of culture, and explore a new continuation model to ensure the diversity of human intangible cultural heritage.
【学位授予单位】：内蒙古大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J607

【参考文献】