舒伯特四手联弹《f小调幻想曲》两种演奏版本比较

发布时间：2018-05-09 11:24

本文选题：四手联弹 + 舒伯特　；参考：《福建师范大学》2013年硕士论文

【摘要】：谈及奥地利作曲家弗朗兹·舒伯特,艺术歌曲、钢琴小品、音乐瞬间是他的代名词。他英年早逝,短短的十几年创作生涯中,却给人们留下了六百多首抒情的艺术歌曲,被誉为“艺术歌曲之王”。他的作品多产被世人所称赞。钢琴四手联弹这种演奏形式虽然在16世纪末17世纪初就被英国的两位作曲家提出,但是真正创作四手联弹作品的大师确是——舒伯特。他一生创作了70余部四手联弹钢琴作品,这个数量仅次于他本人创作的艺术歌曲。舒伯特四手联弹作品体裁相当丰富,并且作品程度深浅不一,例如：变奏曲、进行曲、幻想曲、舞曲等等。本文以舒伯特四手联弹《f小调幻想曲》(D940.0p.103)为研究对象,通过两个演奏版本对比,诠释这部伟大作品的精湛技艺与无与伦比的音响效果。本文由三部分构成。第一章为绪论部分,笔者将前人对钢琴四手联弹的研究情况进行简单介绍,并阐述研究方法及选题意义。第二章从四手联弹与舒伯特之间的关系展开。先对四手联弹的发展起源进行简单的追溯,到舒伯特一生在四手联弹作品创作的大致流程以及其对四手联弹发展的贡献。第三章是本文的核心章节,对这首乐曲进行两个演奏版本的比较,从本体入手,做到理论结合实际,较为全面的分析这首作品。
[Abstract]:Speaking of Austrian composer Franz Schubert, art songs, piano sketches, musical moments are synonymous with him. He died young, but in his short career of more than ten years, he left more than 600 lyric art songs, known as the "king of art songs". His work was praised for its prolificacy. Although this form of playing the piano with four hands was put forward by two British composers at the end of the 16th century and the beginning of the 17th century, the master who really created the work of the four-hand joint play was-Schubert. In his life, he wrote more than 70 four-handed piano pieces, second only to his own art songs. Schubert's four-handedness is of a wide range of genres, with varying degrees of depth, such as variations, marches, fancies, dance and so on. This paper takes < Fantasia in f minor > Fantasia in f minor < Fantasia in f minor > D940.0p.103) as the research object, and interprets the exquisite skill and unparalleled sound effect of this great work by comparing the two performance versions. This paper consists of three parts. The first chapter is the introduction part. The author introduces the research situation of the piano four-hand joint, and expounds the research method and the significance of the topic. The second chapter starts from the relationship between the four-hand joint bomb and Schubert. At first, the author traces the origin of the development of the four-hand joint bomb, and then discusses the general process of Schubert's creation in his life and his contribution to the development of the four-hand joint bomb. The third chapter is the core chapter of this article, the two versions of the music performance comparison, starting from the ontology, so that the theory combined with practice, a more comprehensive analysis of this work.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1

【参考文献】