贝多芬《c小调第三钢琴协奏曲》（Op.37）研究

发布时间：2018-05-12 08:03

本文选题：贝多芬 + 《c小调第三钢琴协奏曲》　；参考：《山东师范大学》2006年硕士论文

【摘要】：贝多芬是德国伟大的作曲家,钢琴家,同时也是维也纳古典乐派的杰出代表。他的音乐创作从形式、体裁到风格都承袭了18世纪以海顿、莫扎特为代表的古典音乐风格,而且预示或体现了19世纪浪漫主义的特征。《c小调第三钢琴协奏曲》(Op.37)创作于1800年-1801年,是其音乐风格走向成熟的代表作。这一作品也正是体现了以上这一特点。这部作品1803年4月在维也纳首次演出,由贝多芬亲自弹奏,此后就受到经久不衰的欢迎。本文试图通过对《第三钢琴协奏曲》的分析与研究,在揭示18世纪末、19世纪初社会文化历史环境,以及他的生活经历与创作观念对这部作品影响的基础上,从多方面去探求这部作品的独特的音乐创作手法和蕴涵的贝多芬精神。本文共分四个部分: 第一部分:论述了贝多芬一生的生活道路和四个阶段的创作轨迹,力求凸现生活经历与环境的变迁给他的创作理念,创作风格带来的影响。第二部分:是本文的中心部分。分别从“创作背景”、“涉及作品精神、情感内涵的几个因素”、“作品的音乐本体分析”三个方面对《第三钢琴协奏曲》进行了比较详细的论述和分析,重点在中间两个方面。一、“涉及作品精神、情感内涵的几个因素”:1.从宏观的文化视角论述了时代的社会历史环境因素对贝多芬思想及音乐创作观念的影响,作品中所蕴涵的“英雄主义”及“人道主义精神”正是对这一影响因素的反映。2.前辈作曲家的影响因素:通过阐述贝多芬音乐与他的古典音乐先驱之间的渊源关系,表明了前辈音乐家在音乐创作手法、美学观念及美学思想对《c小调第三钢琴协奏曲》的影响。3.文学、诗歌的影响因素论述了贝多芬与歌德、席勒的作品深厚的文化血缘关系,这不仅是贝多芬音乐创作的源泉,而且他们的文学作品中所表达的人道主义思想更是贝多芬一生所追求的信念。4.德国古典哲学的影响阐述了康德的哲学思想对贝多芬的精神内涵的重要作用。贝多芬正是赋予钢琴协奏曲以康德的“引力和斥力”中尖锐性和戏剧性冲突的哲学内涵,表现出他创作中的中心思想。二、“作品的音乐本体分析”先是论述了巴洛克的独奏协奏曲到古典协奏曲的渊源关系,然后从继承性和创新因素的创作特点上对作品的音乐结构、动机的展开、调性的表现意义、赋格段的引入
[Abstract]:Beethoven was a great German composer, pianist and an outstanding representative of Vienna classical music school. His music creation, from form, genre to style, inherits the classical musical style represented by Haydn and Mozart in the 18th century, and indicates or embodies the characteristics of romanticism in the 19th century. < C minor Piano Concerto No. 3 > Op. 37) was written from 1800 to 1801. Is its musical style to mature representative works. This work also embodies the above characteristics. The work, which was first performed in Vienna in April 1803 and played by Beethoven himself, has been well received ever since. Through the analysis and research of the third Piano Concerto, this paper attempts to reveal the social and cultural historical environment in the late 18th century and the early 19th century, as well as the influence of his life experience and creative ideas on this work. From many aspects to explore the unique music of this work and the spirit of Beethoven. This paper is divided into four parts: The first part discusses Beethoven's life path and four stages' creation track, and tries to highlight the influence of the change of life experience and environment on his creative idea and creation style. The second part is the central part of this paper. The third Piano Concerto is discussed and analyzed in detail from three aspects: "creation background", "several factors related to the spirit of the works, several factors of emotional connotation" and "Music Noumenon Analysis of the works". The emphasis is on the middle two. First, "several factors related to the spirit and emotional connotation of the work": 1. This paper discusses the influence of the social and historical environmental factors of the times on Beethoven's thought and musical creation from the macroscopic cultural perspective. The heroism and humanitarianism contained in the works are the reflection of this influential factor. The influential factors of the older composers: by expounding the relationship between Beethoven's music and his classical music pioneers, it is shown that the musicians of the older generation used their music creation techniques. The influence of Aesthetic idea and Aesthetic thought on Piano Concerto No. 3 in C minor. The influential factors of literature and poetry discuss the deep cultural relationship between Beethoven and Goethe Schiller's works, which is not only the source of Beethoven's music creation. And the humanitarianism thought expressed in their literary works is Beethoven's pursuit of faith. 4. The influence of German classical philosophy expounds the important function of Kant's philosophy thought to Beethoven's spiritual connotation. Beethoven endowed the piano concerto with the philosophical connotation of sharp and dramatic conflict in Kant's Gravity and repulsion, which showed the central idea in his creation. Second, the music Noumenon Analysis of works first discusses the relationship between Baroque's solo concerto and classical concerto, and then develops the musical structure and motivation of the works from the aspects of inheritance and creative characteristics of creative factors. The expressive meaning of tonality, the introduction of fugue
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1

【引证文献】