巴托克《小宇宙》教学研究
发布时间:2018-05-12 10:27
本文选题:《小宇宙》 + 教学 ; 参考:《东北师范大学》2006年硕士论文
【摘要】:贝拉·巴托克是二十世纪最有影响力的作曲家之一,是匈牙利著名的钢琴家、音乐教育家。他一生都致力于匈牙利民族民间音乐的普及和推广,并为此创作了大量的钢琴作品。《小宇宙》即是这样一套包含有丰富的匈牙利民间音乐元素与现代作曲技法的钢琴练习曲集。本文通过对《小宇宙》的逐册分析,通过与其它钢琴初级教程的横向比较,体现它的教学价值,希望能够得到国内同行对它的认可,同时能够得到很好的学习和使用。 本文共分为五部分: 第一部分:引言。主要说明了本文的选题依据及现实意义,以及本文的框架。 第二部分:巴托克的钢琴创作及代表作。这一部分按年代例举出了巴托克的钢琴代表作并做一简要介绍,以及他的钢琴作品的大体特征。 第三部分:对《小宇宙》的具体分析。本文首先是按照一到六册的顺序来解析的,但在同一册中,则是按照解决同样技巧难点、再进行下一个问题的解决来叙述的。体现出它的横向联系。对于这样一套具有强烈民族性和现代感的作品,要想让我国国内的钢琴教师与学习者都能够接受是极具难度也是不必要的。所以本文就对于一些极具这样特点的作品只是进行简单的说明:或说明意义,或建议欣赏,总之是为了能够客观而深入地阐述清楚这套作品的内涵。 第四部分:《小宇宙》在我国的教学现状及原因。分析了《小宇宙》遭到冷遇的原因。 第五部分:学习、演奏《小宇宙》的意义及带给我们的启示。
[Abstract]:Beira Bartok is one of the most influential composers of the twentieth century, a famous pianist and music educator in Hungary. He devoted his whole life to the popularization and popularization of Hungarian folk music and created a large number of piano works for this purpose. The small Universe is such a set of piano etudes with rich elements of Hungarian folk music and modern composing techniques. Through the analysis of microcosm by volume, and the horizontal comparison with other elementary piano courses, this paper shows its teaching value, and hopes to be recognized by its domestic counterparts, and at the same time, it can be well studied and used. This paper is divided into five parts: The first part: introduction. This paper mainly explains the basis and practical significance of the topic, as well as the framework of this paper. The second part: Bartok's piano creation and representative works. In this part, Bartok's piano masterpieces are illustrated and briefly introduced, as well as the general characteristics of his piano works. The third part: the concrete analysis of the microcosm. This paper is first analyzed according to the order of one to six volumes, but in the same volume, it is described according to the same skill and difficulty, and then the next problem is solved. Reflect its horizontal connection. For such a set of works with strong national and modern sense, it is extremely difficult and unnecessary to make piano teachers and learners in our country accept it. Therefore, this paper simply explains some works with such characteristics: either explain the meaning, or suggest appreciation, in order to expound the connotation of this set of works objectively and thoroughly. The fourth part: the present situation and reasons of microcosm teaching in our country. The reason why the microcosm was treated cold was analyzed. The fifth part: the significance of learning and playing the microcosm and the enlightenment to us.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J624.1
【引证文献】
相关硕士学位论文 前3条
1 刘利剑;论巴托克音乐创作风格[D];东北师范大学;2007年
2 张健;匈牙利民族文化之魂[D];湖南师范大学;2012年
3 王笑;巴托克《八首匈牙利农民歌曲钢琴即兴曲》和声技法研究[D];西安音乐学院;2013年
,本文编号:1878248
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