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山西“昔阳迓鼓”表演艺术的分析与研究

发布时间:2018-05-12 11:17

  本文选题:昔阳迓鼓 + 阵型 ; 参考:《燕山大学》2013年硕士论文


【摘要】:“昔阳迓鼓”是山西省昔阳县最具特色的民间表演艺术,明末清初就在昔阳县广泛流传,至今约有三百多年的历史。“昔阳迓鼓”的表演形式集鼓乐与舞蹈为一体,演员既是鼓者又是舞者,这是“昔阳迓鼓”有别于其他鼓乐的独特之处。“昔阳迓鼓”的舞蹈表演以“摆阵图”的方式呈现,它们随着鼓点的进行变化移动,其阵型样式丰富多样,各具特色。主要阵图形式包括安阳沟乐派的“九龙阵”、“八角十环阵”、“一字长蛇阵”;南北丝县乐派的“老龙盘窝”、“按六环”;寨上乐派的“二龙戏珠”、“八宿环”等,在阵图表演的同时还伴随着相应的舞蹈动作,如“平颠步”、“扑垫步”、“蹲点步”等。此外,“昔阳迓鼓”作为一种鼓乐表演形式,其鼓乐队由21件乐器组成,演奏形式大多以一呼一应的对仗模式进行,风格热闹活泼,其主要曲牌有【长流水】、【四回门】、【大过街】等,每个曲牌都有不同的节奏特点,例如,【长流水】节奏特点流畅自如;【四回门】曲牌特点活泼灵动,行进感较强;【大过街】节奏特点恢弘大气等等。在具体鼓乐表演中,舞蹈表演与鼓乐演奏相结合,,形成一种独特的鼓乐表演风格。 本文共分为绪论、正文和结论三部分内容。在文章绪论中主要阐明了本文的研究目的和意义等内容。正文首先介绍了“迓鼓”的含义及其历史起源,从而引出了“昔阳迓鼓”这一名词;其次对“昔阳迓鼓”各乐派的表演形式、鼓乐的节奏特点进行了详细的分析;最后就迓鼓的传承和发展问题提出了自己的观点和见解。以正文中的分析与研究为基础,在最后结论部分对“昔阳迓鼓”整体的表演艺术做出了总结性的概述,为其进一步传承和发展奠定了理论基础。
[Abstract]:Xiyang Yedu "is the most characteristic folk performing art in Xiyang County, Shanxi Province, widely spread in Xiyang County in the late Ming and early Qing Dynasty, and has a history of more than three hundred years." The performance form of Xi Yang is a combination of drum music and dance. Actors are both drum players and dancers. This is the unique feature of "Xi Yang Ren Drum" and other drum music. The dance performance of "Xi Yang is Drum" is presented in the form of "swinging array diagram". They move with the change of drums, and their formation styles are rich and diverse, each with its own characteristics. The main picture forms include the "Jiulong", "octagonal 10-ring", "one-word snake" of Anyanggou Music School; the "Laolong Pan-den" of the Nansan Silk Music School, "by six Rings"; and the "Erlong Opera Pearl" and "Bazu Rings" of the Musical School in the village, and so on. At the same time, it is accompanied by corresponding dance movements, such as "flat step", "padding step", "squat step" and so on. In addition, as a form of performing drum music, "Xi Yang Ya Drum" is composed of 21 musical instruments, most of which are played in the form of "one call, one response". The style is lively and lively, and its main pieces of music are [flowing water], [four return doors]. Each card has its own rhythmic characteristics, such as flowing water, etc. In the concrete drum music performance, the dance performance and the drum music performance unifies, forms one kind of unique drum music performance style. This paper is divided into three parts: introduction, text and conclusion. In the introduction of the article, the purpose and significance of this paper are expounded. The text first introduces the meaning and historical origin of "Yaiyang Drum", which leads to the noun "Xiyang Yan-Drum", secondly, analyzes the performance form of "Xiyang Yan-Drum" and the rhythm characteristics of Drum music in detail. Finally, I put forward my own views and opinions on the inheritance and development of the drum. On the basis of the analysis and research in the text, in the last part of the conclusion, the author makes a summary of the whole performing art of "Xiyang Yaizheng Drum", which lays a theoretical foundation for its further inheritance and development.
【学位授予单位】:燕山大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J605

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