现实审美与艺术审美——以“旭日阳刚演唱”为个案

发布时间：2018-05-12 16:10

本文选题：现实审美 + 艺术审美　；参考：《文艺理论研究》2011年06期

【摘要】：与审美及艺术独立的启蒙时代有别,当代社会的发展演变趋势,是内在于生存劳作的现实审美与依托形式美独立表现的艺术审美需要的新的接近与融合。但是,日常生活审美化的基础并非脱离生存劳作的泛形式外饰,而依然是以生存劳作行为为核心的现实审美。旭日阳刚演唱是当代中国一个重要的审美事件。其本体并非歌曲《春天里》,而是与之融合的一次生存处境行为艺术的现场演示。其巨大的社会共鸣区别于流行文化的群体无意识,并与"西单女孩"、苏珊大妈等共同推动着非商业大众文化的天然健康形态。其成功启示对于传统艺术而言,是以生活内涵充实形式化惯例并创造生活形态的艺术;对于反叛传统艺术的现代派艺术而言,则应从中领悟真正的生活与私人矫情的伪生活区别,并立足于前者走出当代艺术丧失公共性的困境。
[Abstract]:Different from the enlightenment era of aesthetic and artistic independence, the development and evolution trend of contemporary society is a new approach and fusion of realistic aesthetics, which lies in the existence and toil, and art aesthetics, which depends on the independent expression of formal beauty. However, the aesthetic basis of daily life is not from the pan-form decoration of living labor, but also from the reality aesthetic with the existence labor behavior as the core. The rising sun just singing is an important aesthetic event in contemporary China. The Noumenon is not a song in Spring, but a live demonstration of the art of living in a situation. Its huge social resonance is different from the popular culture group unconscious, and together with "Xidan Girl", Susan, and so on, it promotes the natural healthy form of non-commercial mass culture. To the traditional art, its successful enlightenment is to enrich the formal convention with the connotation of life and to create the life form, and to the modernist art that revolts against the traditional art, We should understand the difference between real life and personal false life, and walk out of the predicament of contemporary art losing its publicity.
【作者单位】：陕西师范大学文学院;
【分类号】：J601

【共引文献】