斯美塔那C大调音乐会练习曲之研究

发布时间：2018-05-13 02:04

本文选题：斯美塔那 + 捷克　；参考：《西安音乐学院》2014年硕士论文

【摘要】：贝德里赫斯美塔那是十九世纪捷克著名的作曲家，他被后人尊为“新捷克音乐之父”。作为捷克民族乐派的先行者，他将具有民族特色的音乐元素融入作品当中，使得创作的作品充满了浓郁的捷克民族风格及意味。斯美塔那的这首C大调音乐会练习曲构思巧妙，通过丰富饱满的和声音响结合起伏多变的音乐旋律，向人们刻画出一幅幅鲜活而生动的景象。本文希望通过对该作品的分析和研究，解读音乐中的语汇特征与创作风格，揭示作品蕴含的内涵与艺术价值，，加深对斯美塔那钢琴作品，特别是这首钢琴音乐会练习曲的认识。本文包括绪论，正文、结语三部分。绪论主要阐述选题缘由、国内外研究现状、研究方法与途径、意义与创新点。正文则分为三章，第一章简述作曲家生平及其创作，论文从作曲家时代背景入手阐述作曲家作品风格及创作手法；第二章以斯美塔那C大调音乐会练习曲的创作背景为切入点，对该作品的创作素材、音乐表现形式、曲式结构、调式调性、旋律及和声织体等音乐手法加以分析；第三章则联系自身实际，从钢琴演奏和教学方面进行分析，探索斯美塔那音乐风格，并研究在演奏中遇到的问题以及解决问题的方案。最后，希望通过本文的研究所得为演奏和研究这首作品的同仁们提供一些参考。
[Abstract]:Friedrich Smetana is a famous Czech composer in the 19 th century. He was honored as the father of the new Czech music. As a pioneer of the Czech national music school, he integrated the musical elements with national characteristics into his works, which made the works full of rich Czech national style and meaning. The Concert Etudes in C major by Smeitana are skillful in conception. Through rich and full harmony and sound combined with fluctuating musical melodies, Smeitana portrays a vivid and vivid scene. Through the analysis and study of the works, this paper hopes to interpret the lexical features and creative styles in music, to reveal the connotation and artistic value of the works, and to deepen the understanding of the piano works of Smeitana, especially the piano concert etudes. This article includes the introduction, the text, the conclusion three parts. The introduction mainly expounds the reason of selecting the topic, the research status at home and abroad, the research methods and approaches, the significance and the innovation. The text is divided into three chapters, the first chapter briefly describes the life of the composer and his creation, the author begins with the composer's style and creative techniques from the background of the composer's time, and the second chapter starts with the background of the music Etudes in Smeitana C major. The composition material, the music expression form, the musical structure, the mode of tone, the melody and the harmony texture of the work are analyzed in the third chapter, and the third chapter analyzes the piano performance and teaching from the aspects of piano playing and teaching. Explore the style of Smedana music, and study the problems encountered in the performance and solutions to the problems. Finally, I hope that through the study of this paper, we can provide some reference for the colleagues who play and study this work.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

【参考文献】