中国早期都市流行歌曲与“五四精神”

发布时间：2018-05-16 18:38

本文选题：都市 + 流行歌曲　；参考：《学术月刊》2011年05期

【摘要】：从"五四精神"及中国现代性进程的维度对中国早期都市流行歌曲进行透视和诠释,就会发现这些歌曲中蕴涵着新的美学精神,它们不仅表征着一种商业文化和娱乐文化,而且还代表着一种"五四精神"的文化形式。其具体表现在三个方面:一是在启蒙主义的感召下,对自由平等、个性解放的大胆追求;二是在爱国情操的激励下,对救亡图存、民族解放的不懈呼喊;三是在平民意识的引领下,对流行歌曲的大众化和艺术性的积极探索。早期都市流行歌曲的产生有着深刻的社会基础。它们对"五四精神"的继承和弘扬,反映了在创始之初就拥有一份自觉的美学追求,这种追求中所包含的一些有助于公民社会的文化建设的思想已经成为优秀的现代传统。正确分析评价和继承弘扬早期都市流行歌曲中蕴涵的"五四精神",对于当代的流行歌曲创作具有一定的借鉴意义。
[Abstract]:From the perspective and interpretation of the "May 4th Spirit" and the process of Chinese modernity, we can find that these songs contain new aesthetic spirit, which not only represent a commercial culture and entertainment culture. It also represents a cultural form of the May 4th Spirit. The first is the bold pursuit of freedom and equality and individual liberation, the second is the unremitting cry of national liberation and national liberation, inspired by patriotic sentiment. Third, under the guidance of the civilian consciousness, the popular songs and the artistic nature of the active exploration. The emergence of early urban pop songs has a profound social foundation. Their inheritance and promotion of the "May 4th Spirit" reflect that they have a conscious aesthetic pursuit at the beginning of their founding, which contains some ideas that are helpful to the cultural construction of civil society and have become excellent modern traditions. Correctly analyzing and inheriting the "May 4th Spirit" contained in the early urban pop songs has certain reference significance for contemporary pop song creation.
【作者单位】：上海师范大学人文学院;
【基金】：教育部人文社会科学重点研究基地项目“中国早期都市流行歌曲与都市文化”(2009JJD840013) 上海市教委科研创新项目“早期都市流行歌曲与美学现代性研究”的阶段性成果
【分类号】：J609.2

【相似文献】