中国钢琴音乐创作与演奏的五度关系研究

发布时间：2018-05-17 13:27

本文选题：五度关系 + 中国风格特色　；参考：《中国艺术研究院》2005年博士论文

【摘要】：中国风格钢琴曲是在学习西方传统技法的基础上发展起来的,从创作到演奏都离不开西方的影响,本文通过《小河淌水》不同版本以及具有代表性的中国钢琴作品的分析比较,发现五度关系及其延伸的五声性特点、同宫系统以及中国传统音乐中的调式音阶理论是中国风格钢琴作品的代表特征。在结合一些西方近现代作曲技法的钢琴作品中,五度关系特征依然具有显著的外部特征和地位,它是区别于西方传统大小调体系的主要特征,为中国风格钢琴作品自身特色的形成奠定了基础。从五度相生律角度解释五度关系特征的形成,为音响的实际处理和音程的功能倾向性提供了理论上的参考依据,但实践检验的道路还很漫长。演奏的实践正是利用平均律对自然律的替代作用,通过演奏技术的灵活运用为听觉的转化起到指引作用。触键的力与距离的关系构成了演奏技术理论的基础,它们的相互转化为演奏的二度创作开辟了更广阔的音响空间,中国风格钢琴作品的演奏特色就是在这一空间下与创作中的五度关系特征结合的产物,它最主要的表现还是与大小调体系对比下的对五度关系的强调和对三度关系的弱化。
[Abstract]:Chinese piano music is developed on the basis of studying western traditional techniques. From creation to performance, it can not be separated from the influence of the West. Through the analysis and comparison of different versions of "River dripping" and representative Chinese piano works, It is found that the pentatonic relationship and its extended pentatonic characteristics, Tonggong system and the theory of modulation scale in Chinese traditional music are the representative characteristics of Chinese piano works. In the piano works that combine some modern western composing techniques, the five-degree relationship still has remarkable external characteristics and status, which is the main characteristic that distinguishes it from the western traditional big minor system. It lays a foundation for the formation of Chinese piano works. The formation of the characteristic of the five-degree relation is explained from the angle of the five-degree law, which provides a theoretical reference for the practical processing of sound and the functional orientation of the interval, but the road of practical verification is still very long. The practice of playing is to use the law of average as a substitute for the law of nature and play a guiding role in the transformation of hearing through the flexible application of playing techniques. The relationship between contact force and distance forms the basis of the theory of playing technology, and their mutual transformation opens up a wider sound space for the second creation of playing. The performance characteristic of Chinese piano works is the product of combining with the five-degree relationship characteristic in creation in this space. Its main performance is the emphasis on the five-degree relationship and the weakening of the three-degree relationship compared with the big minor system.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2005
【分类号】：J624.1

【引证文献】