论双簧管簧片的类型、制作及其与演奏实践的关系

发布时间：2018-06-01 19:40

本文选题：双簧管 + 簧片　；参考：《上海音乐学院》2005年硕士论文

【摘要】：本文是关于双簧管簧片的类型、制作及其与演奏实践关系的研究。研究范围是簧片的不同类型,簧片的制作工序,并对双簧管和簧片的历史进行详细的回顾。通过对簧片的阐述来分析它与乐器之间的关系和影响,以及在实际演奏特别是双簧管参与乐队演奏时的重要作用。作为一篇双簧管簧片理论方面的专题论述,希望对本专业演奏人员在演奏过程中能起到参考和借鉴的作用,对于研究簧片的制作和与之相关的音色、表演实践等方面都有一定的实际意义。论文分为五章,第一章叙述簧片的重要性:阐明一些声学原理与双簧管的簧片之间的关系,并对簧片和音色的关系作分析,簧片的好坏对于音色的影响是非常大的,本章中将对此论点进行深入的研究,阐明双簧管乐器本身与簧片、音色与簧片之间的重要关系。第二章描述乐器和簧片的历史。在本章中,论文将先对双簧管的历史进行叙述。双簧管是一种极为古老的乐器,在经过了多个世纪的演变后,形成了从低音到高音各种不同调式的乐器家族系列。通过对双簧管家族历史的描述,从而进一步理顺与它相关的簧片的由来。第三章介绍不同类型的簧片。簧片的修法多种多样,不同地区及不同演奏家可能出现不同的簧片样式,每种类型模式的簧片演奏出来的音色又有一些不同,各有其特色。本人通过举例说明一些具有代表性的簧片样式的修法和它所采用的技术手段,更清楚的了解双簧管簧片的类型,从根本上对簧片有更进一步的认识,并对我国的簧片的类型作些分析,阐述其产生和发展的历史。第四章介绍簧片的制作过程。做簧片对于每一个从事专业演奏的人来说,是件必须掌握的本领。许多学生为了拥有一个自己满意的簧片,经常需要花上大量的时间。本章就簧片的制作过程进行详细的阐述,对于一些具体的技术性问题进行分析和研究。第五章是关于簧片类型与表演实践关系的论述。在这一章中,本人将对簧片的类型与在独奏和乐队中的关系做更多的分析,阐明双簧管簧片在演奏中的重要地位,以及在表演实践中的应对方法,提出对于这个专题的更深层次的思考与可行性研究。
[Abstract]:This paper is about the type of oboe Reed, its production and its relationship with playing practice. The research scope is the different types of Reed, the process of making Reed, and the history of oboe and Reed is reviewed in detail. The relationship and influence between the Reed and the musical instrument are analyzed through the elaboration of the Reed, as well as its important role in the actual performance, especially when the oboe is playing in the band. As a special topic on the theory of oboe Reed, it is hoped that it can be used as a reference for the professional players in the process of playing, and for the study of the making of the Reed and the related timbre. Performance practice and other aspects have certain practical significance. The paper is divided into five chapters. The first chapter describes the importance of the Reed: to clarify the relationship between some acoustic principles and the oboe Reed, and to analyze the relationship between the Reed and the tone color. In this chapter, we will make a deep study of this argument and clarify the important relationship between oboe itself and Reed, timbre and Reed. The second chapter describes the history of musical instruments and Reed. In this chapter, the history of the oboe will be described first. The oboe is an ancient musical instrument that has evolved over many centuries into a family of instruments ranging from bass to treble. The history of the oboe family is described to further straighten out the origin of its related Reed. The third chapter introduces the different types of Reed. There are many kinds of revision methods of Reed, different regions and different players may appear different styles of Reed, and each type of Reed plays different timbre and has its own characteristics. Through illustrating some representative reeds and the technical means it uses, I have a clearer understanding of the types of oboe reeds, and have a better understanding of the oboe fundamentally. The types of Reed in China are analyzed, and the history of its emergence and development is expounded. The fourth chapter introduces the making process of Reed. Making Reed is an essential skill for anyone who plays professionally. Many students often spend a lot of time in order to have a satisfying Reed. In this chapter, the production process of Reed is described in detail, and some specific technical problems are analyzed and studied. The fifth chapter discusses the relationship between Reed type and performance practice. In this chapter, I will do more analysis on the relationship between the type of Reed and the solo and band, expound the important position of the oboe Reed in the performance, and how to deal with it in the performance practice. Further thinking and feasibility study on this topic are put forward.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J621.3

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