巴赫《六首无伴奏大提琴组曲》之“库朗特舞曲”分析

发布时间：2018-06-14 06:46

本文选题：巴赫 + 《六首无伴奏大提琴组曲》　；参考：《交响(西安音乐学院学报)》2011年03期

【摘要】：巴赫的《六首无伴奏大提琴组曲》在浩瀚的音乐历史长河中,无论是美学还是理论价值,都是一颗无可比拟的艺术瑰宝。而各组曲中的"库朗特舞曲"更是分别有其特点,通过横向比较分析可以发现,只有第五首库朗特是典型的法国式风格,其他都是意大利式的。相比较而言,意式库朗特随意简单,法式则相对优雅和复杂。巴赫的六首库朗特尽管在标题上没有区分,却有着实质的风格区别。这种区别必须通过节奏和旋律上的细节分析才能体会得到。
[Abstract]:Bach's "Six Unaccompanied Cello Suite" is an unparalleled art treasure in both aesthetic and theoretical values, and the "Courant dance" in each group has its own characteristics. Only fifth Courant is a typical French style. The other are Italian. In comparison, Italian Courant is simple and simple, French is relatively elegant and complex. Bach's six Courant, although there is no distinction between the title, has a substantial difference in style. This distinction must be realized through the detailed analysis of rhythm and melody.
【作者单位】：西安音乐学院管弦系;
【分类号】：J624.1

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