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六朝佛教音乐本土化探微

发布时间:2018-06-15 09:03

  本文选题:六朝 + 佛教音乐 ; 参考:《南京艺术学院》2005年硕士论文


【摘要】:六朝是我国历史上一个承上启下的重要时期。六朝佛教的发展在中国佛教发展中占有着举足轻重的地位。而作为有力弘法手段的佛教音乐,随着六朝佛教的隆盛及其“中国化”转型的初步完成,经历了一个重要的“本土化”阶段,实现了西域佛教音乐向中国本土传统音乐的转变,对后世中国音乐的发展产生了重要的影响。本文的研究对象即为六朝佛教音乐的“本土化”现象。文章从六朝佛教音乐本土化的生成背景、演进过程和表现特征三大方面进行论述,紧密联系六朝历史背景、时代风貌和文化特色,运用了分析、比较等方法,较为系统地划分了六朝佛教音乐本土化的几个重要阶段,梳理了六朝佛教音乐的发展脉络,并在此基础上总结了其表现特征,试图阐明六朝佛教音乐本土化在整个六朝音乐及中国佛教音乐发展中的特殊意义,以及对中国传统音乐的承传作用和深远影响。
[Abstract]:The Six Dynasties were an important period in the history of China. The development of the Buddhism of the Six Dynasties played an important role in the development of Chinese Buddhism. As a powerful means of Buddhism, the Buddhist music, with the preliminary completion of the transformation of the Six Dynasties and the transformation of "China", has experienced an important "localization" stage. The transformation of western region Buddhist music to Chinese native traditional music has an important influence on the development of later Chinese music. The object of this study is "localization" of the Six Dynasties. The article discusses the three aspects of the generation background, the evolution process and the performance characteristics of the Six Dynasties. The historical background of the Six Dynasties, the style of the times and the cultural features of the Six Dynasties, using the methods of analysis and comparison, systematically divided several important stages of the localization of the Six Dynasties' Buddhist music, combed the development of the Buddhist music of the Six Dynasties, and summed up its characteristics on this basis, and tried to illustrate the localization of the Six Dynasties of Buddhist music in the whole six dynasties. And the special significance of the development of Chinese Buddhist music, as well as its inheritance and far-reaching influence on Chinese traditional music.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:J609.2

【引证文献】

相关硕士学位论文 前4条

1 刘杰;舟山佛教文化资源的历史与现状及开发构想[D];浙江海洋学院;2011年

2 李媛;六朝音乐文化交流探微[D];南京艺术学院;2006年

3 吴冰;六朝清商乐发展探微[D];南京艺术学院;2007年

4 侯佳;魏晋南北朝时期佛教音乐特征研究[D];四川师范大学;2012年



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